For almost twenty years Sherman Cahal has traveled the Middle West and Appalachia, photographing residential, industrial, and commercial buildings that exist in various states of disrepair and decay, creating a visual record that is, of course, sad, but that also invokes the peculiar appeal of old, worn things.
Electra Havemeyer Webb, the founder of the Shelburne Museum, was a collector of astonishingly wideranging interests. Her diversity of tastes is reflected in holdings that include carriages, decoys, weather vanes, and antique bedcoverings, as well as paintings by Manet, Courbet, and Monet, and the steamboat Ticonderoga. Yet with its pastoral Vermont setting and a campus dotted with examples of vernacular New England architecture, the museum is primarily associated by many with its outstanding collection of folk art and Americana.
With its stunning façade composed almost entirely of textured glass blocks set in a steel framework, the Maison de Verre, or “House of Glass,” designed and built between 1927 and 1932, is one of the most remarkable buildings in Paris.
Enameling and the Cleveland school.