Articles

Posted 01/20/13

Forces for the new: Collectors and the 1913 Armory Show

On February 17, 1913, the most important art event ever held in America-the International Exhibition of Modern Art, quickly abbreviated to the "Armory Show" on account of its location in the Sixty-Ninth Regiment Armory at Lexington Avenue and Twenty-Fifth Street-opened its doors.

Posted 12/19/12

The Lanford Wilson collection of self-taught art

"Honest, shockingly sincere, and unfettered"

Posted 12/19/12

Louis C. Tiffany's landscapes of devotion

Today Louis Comfort Tiffany is widely recognized as America's leading designer of the decades around 1900, but during his lifetime he was best known primarily as a designer of religious art, particularly memorial windows. They were installed by the thousands-mostly in Protestant churches and cemetery mausoleums-and formed the bulk of his business over four decades. An exhibition now on view at the Museum of Biblical Art in New York City is refocusing our attention on this aspect of Tiffany's artistic output.

Posted 12/19/12

Sarah Goodrich: Mapping places in the heart

In a time of cultural awakening when Boston was hailed as the Athens of America, Sarah Goodrich (Fig. 3) was the city's pre-eminent portrait miniaturist, creating indelible likenesses for more than a quarter-century between 1815 and 1850. Favored by such notable patrons as Daniel Webster, Thomas Handasyd Perkins, Edward Everett, and William Lindall Winthrop, she graced her sitters with an aura of intimacy that still flames in the mind's eye. Newly discovered examples of Goodrich's work and further historical research have added to the narrative of her life and renew our appreciation of "America's finest woman miniaturist." 

Posted 12/19/12

A lost Copley found: The New York portrait of Captain Gabriel Maturin

In the spring of 1771 John Singleton Copley had several good reasons to look south to New York for fresh fields to conquer. Although he had effectively joined the social ranks of his clientele by marrying into one of the leading Tory families of Boston and acquired a suitable gentleman's estate on Beacon Hill, his new property required considerable investment while his portrait commissions had begun to slacken. Fortunately there was sufficient clamor for his talents in New York as a result of several of his paintings having established his reputation in the city. 

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