Articles

Posted 04/01/15

War, politics, and the diaspora of Irish art and design

When The Magazine ANTIQUES started publication in January 1922, it coincided with the end of the War of Independence between Ireland and Great Britain and the beginning of a self-inflicted and even more brutal Civil War among opposing factions of the Irish Republican Army. Although Antiques's mandate was to whet its readership's appetite for the past, its authors frequently found they could not avoid alluding to the "Troubles" in Ireland

Posted 03/31/15

Seventeenth-century French enameled watches in the Walters Art Gallery

In his book Old Clocks and Watches and their Makers, F. J. Britten notes that "watches with enamel painting before 1640 are exceedingly rare, and there is a marked difference in the character of such decorative work executed at the beginning, compared with that done during the later years of the seventeenth century." This article was originally published in the December 1963 issue of ANTIQUES. 

Posted 03/16/15

A spirited conversation: The European and American Galleries at the Harvard Art Museums

When visitors enter the renovated and reinstalled Harvard Art Museums on the north side of Harvard Yard, they will find a series of galleries that invite a new way to approach the history of American art

Posted 02/24/15

On high seas: Jack London's photography on the cruise of the Snark

Jack London died young, at the age of forty, yet in some ways it is amazing that he lived as long as he did. To anyone who happened to see the thirty-one-year-old London and five other inexperienced sailors cruising through San Francisco's Golden Gate on April 23, 1907, his survival would have seemed nothing short of miraculous

Posted 02/24/15

Prince Demah Barnes: Portraitist and slave in colonial Boston

At first glance, the small oil portrait of a handsome man in a flowered dressing gown looked somewhat unprepossessing. Hanging on the wall of a dealer’s booth at an antiques show in 2010, it had a “folksy” appeal, but wasn’t an obvious candidate for acquisition by the Metropolitan Museum of Art

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