August 20, 2014 |
The staggering luxury of Downtown Abbey's turreted house and lush grounds have mesmerized audiences as much as any of the adventures of the Crawley family and their staff
The real Downton Abbey is Highclere Castle, located in Berkshire at a crossroads between Winchester and Oxford, Bristol and London. The property's thousand acres of parklands include the remains of an Iron Age hill fort, and the current house stands on foundations that for roughly eight hundred years held up the palace of the bishops of Winchester.
Since 1679 the property has belonged to the Herbert family. Henry Herbert (1741-1811), a grandson of the eighth Earl of Pembroke, inherited the estate from an uncle in 1769 and shortly afterwards commissioned Lancelot "Capability" Brown (1716-1783) to redesign the gardens, a project that included moving an extant folly and creating new ones.
In 1793 Herbert was granted the hereditary title o…» More
July 30, 2014 |
In a refreshing new twist on how to bring new life to long-revered art and objects both the Staatliche Kunstsammlungen in Dresden and the Rijksmuseum in Amsterdam have invited philosophers to play the role of curator
DRESDEN CONSIDERS THE BOWL
Philosopher Wolfgang Scheppe has collaborated with the staff of the Dresden State Art Collections to present an exhibition in tribute to the American art historian George Kubler and his 1962 treatise The Shape of Time. The show focuses on a single form: the bowl. Ninety-nine examples drawn from many eras and cultures are presented in a long line and juxtaposed against a series of conceptual photographs, also of bowls, by the late Italian photographer Franco Vimercati. The human imagination cannot help but compare and contrast them according to the visual relationships created by their ordering. The bowl itself is revealed to be timeless and as utilitarian now as it was at the dawn of human c…» More
June 24, 2014 | In the five short years since its creation, Masterpiece has established itself as London's most prominent and anticipated fair. Its intent is to present the highest caliber art and antiques alongside a wide range of similarly distinguished luxury goods from cars to wine. However, because it was created by leading dealers from the former Grosvenor House fair, Masterpiece retains decorative arts firmly at its core.
Engraved map of London by Richard Bennett, London, 1760, mounted as a fan on bone sticks with carved ivory end-pieces. Daniel Crouch Rare Books, London.
This year's highlights veer toward unapologetic opulence. Ronald Philips features an astounding Charles II cream-japanned cabinet on a silvered stand; Chiale Antiquariato, a massive carved and inlaid table of 1905, which was made in Turin based on a design by Edoardo Smeriglio; and Anthony Outred, an entire suite of fanciful grotto furniture carved in shell forms made in Venice in the second half of the nineteen…» More
February 25, 2014 | In 1989 Lawrence Steigrad and his wife and business partner, Peggy Stone, began dealing in Old Master paintings backed by only a thousand dollars and a few credit cards. For the first year, in case things didn't work out, Stone continued to work as a cataloguer at William Doyle, returning home to help with research and cataloguing late into the night. Their astonishing gamble paid off. The New York-based dealers are now in their twenty-fifth year as leaders in the field and are firmly established exhibitors at TEFAF Maastricht, the world's preeminent art and antiques fair.
In 2011 Steigrad and Stone had the honor of having one of their paintings chosen from among the innumerable great works offered at the show as the cover of the TEFAF catalogue and its promotional materials. That exquisitely rendered portrait of 1667 by Hendrick Berckman depicts a young boy of about two so finely dressed in starched lace and colorful ribbons over his silken skirts that the picture was mis…» More
February 20, 2014 |
Founded in 1918, the British Antique Dealers' Association (BADA) has long been the gold standard for such organizations and may be the most difficult to gain entrance to. It has, however, recently struggled with how best to refresh itself without compromising its strict requirements for quality and ethics.
On the heels of the election of Michael D. Cohen of Cohen and Cohen as chairman of the council this past July, BADA has voted in a revolutionary new strategy to expand the organization's reach and reputation by extending its membership to include dealers from outside the United Kingdom. This initiative will begin with invitations to a select group of American dealers in 2014, with the hope of expanding further over time.
Simultaneously BADA has elected to extend its parameters to include a wider range of material, including modern and contemporary works. Cohen expects the qualifying guidelines for all dealers to follow the example of TEFAF Maastricht in requiring the…» More
by Émile Jacques Ruhlmann (1879-1933), 1926. Macassar ebony, amaranth, and ivory. Metropolitan Museum of Art. By Cynthia Drayton» View All