February 10, 2016 | Last October The Magazine ANTIQUES and our sister publications MODERN and Art in America joined forces with the venerable ARTnews. In November we moved from SoHo, our longtime home, to new offices just down from Madison Square Park and within sight of the Flatiron Building, built in 1902, the year ARTnews began publication.
By Eleanor H. Gustafson
The Flatiron Building, designed by Daniel Burnham (1846–1912), completed 1902, in a photograph of c. 1905 by the Detroit Publishing Company. Library of Congress, Washington, D.C., Prints and Photographs Division.
It’s a neighborhood that is currently food central for New York gastronomes and casual grazers. Bookended by the high end Eleven Madison Park on one side of the park and the mecca of Eataly on the other, there is the humble Shake Shack at the park’s core, where you can eat al fresco and look at some fine sculpture and architecture. For us this neighborhood constitutes the ideal conjunction of food and ar…» More
July 28, 2014 |
Do you remember the game License Plates, when vacation travel meant keeping your eyes peeled for car tags from as many states as possible? Well, this summer you can play Art Everywhere, looking for masterpieces of American art scattered across the American landscape.
In some fifty thousand outdoor locations across the country starting on August 4--in cities and towns large and small, on billboards and buses, train platforms and bus shelters--the Art Everywhere project will display reproductions of more than fifty great American artworks from the collections of the Dallas Museum of Art, the Los Angeles County Museum of Art, the Art Institute of Chicago, the National Gallery of Art in Washington, and the Whitney Muse…» More
March 19, 2014 | In a story that is the stuff of fairy tales, one of the missing imperial Fabergé Easter Eggs made for the Russian royal family has been found and will be on public view at Court Jewellers Wartski in Mayfair, London, in the run up to Easter. The magnificent Third Imperial Easter Egg had turned up in the hands of an unsuspecting American Midwesterner who bought it for its gold value.
Carl Fabergé, goldsmith to the czars, created the lavish imperial Easter eggs for Emperors Alexander III and Nicholas II from 1885 to 1916. Only fifty were ever made, each one unique. After the revolution the imperial eggs were seized by the Bolsheviks. Some they kept, but most were sold to the West. Two were bought by Queen Mary and are part of the British Royal Collection. Many belong to museums, oligarchs, sheikhs, and heiresses. Eight, however, are missing-of which only three are believed to have survived the revolution.
The rediscovered egg was the one given by Alexander III to his wife, Emp…» More
March 19, 2014 | The pan roast is back. The herring is coming. The famous Oyster Bar restaurant in New York's Grand Central Terminal reopened last Thursday after a four-month renovation of its 101-year-old interior, particularly a thorough cleaning of its ceiling of interlocking vaults covered with terracotta tiles by the Guastavino firm. Seeing the tiles fully cleaned and all the edging light bulbs aglow hints at the wonders in store for visitors to the exhibition Palaces for the People: Guastavino and the Art of Structural Tile, opening at the Museum of the City of New York on March 26.
The Oyster Bar is one of more than two hundred surviving examples of the marvels of engineering and architectural beauty created throughout the five boroughs by Spanish immigrants Rafael Guastavino Sr. and Jr. in the early twentieth century . Their system of structural tile vaults-lightweight, fireproof, low-maintenance, and capable of supporting significant loads-was used by leading architects of the day, …» More
March 17, 2014 | We enjoy exploring the ways in which contemporary artists look to the past to inform their work. We are especially intrigued by the photography of Australian Bill Gekas, whose primary inspiration for these images of his daughter is clearly the Dutch old masters. Digital photography is his tool, but his evocative images are also the result of astute borrowing and improvisation. To see more of his work, visit billgekas.com.
When did you start photographing, and was your focus always on portraiture?
I've been involved with photography since my early twenties, in the mid-1990s, when I was shooting with film cameras and developing and printing black-and-white film in a makeshift darkroom. During those years I was shooting a bit of everything except portraiture, which didn't interest me until I discovered the great portrait works of Irving Penn, Alfred Stieglitz, and Diane Arbus. They had a haunting beauty that made the viewer connect with the subject. To create the same kind of …» More
by Émile Jacques Ruhlmann (1879-1933), 1926. Macassar ebony, amaranth, and ivory. Metropolitan Museum of Art. By Cynthia Drayton» View All