September 27, 2016 | For the first time a woman has been nominated by a major party for the presidency of the United States. This summer’s U.S. Olympic team included more women than men. And American art museums are increasingly giving women their due. The Norton Museum of Art in Florida is a good example, as evidenced by its acquisitions of works by American painters Marguerite Thompson Zorach, Grace Hartigan, and Njideka Akunyili Crosby in the last year. We asked the Norton’s executive director, Hope Alswang, to tell us more about the museum’s interest in women artists.
Super Blue Omo by Njideka Akunyili Crosby (1983–), 2016. Norton Museum of Art, West Palm Beach, Florida, purchase through the generosity of Jim and Irene Karp; photograph courtesy of the artist and Victoria Miro, London © Njideka Akunyili Crosby.
The Norton’s three most recent acquisitions of art by women artists span a century, from 1913 to 2016. Other than that they are by women, is there a thread that connects them to eac…» More
July 21, 2016 | As we say farewell to Betsy Pochoda, who moves on to her next adventures after eight years at the helm of ANTIQUES, we welcome Gregory Cerio as the new editor. A man of wide-ranging interests and well-chosen words, Greg is no stranger to our office, as he was the founding editor of our sister magazine MODERN and has written for both publications over the years. His answers to our questions below should give readers a fine idea of who he is and why we are delighted to be in his hands moving forward.
Tell us a bit about your background and the influences that shaped your interests in art and architecture.
My interest in architecture and the decorative arts came partly by osmosis. My hometown, Annapolis, Maryland, is fortunate to have a powerful and long-established historical preservation society. As a result, I grew up among the finest concentration of eight eenth- and early nineteenthcentury houses and public buildings in the country—as well as the Beaux-Arts piles …» More
February 10, 2016 | Last October The Magazine ANTIQUES and our sister publications MODERN and Art in America joined forces with the venerable ARTnews. In November we moved from SoHo, our longtime home, to new offices just down from Madison Square Park and within sight of the Flatiron Building, built in 1902, the year ARTnews began publication.
By Eleanor H. Gustafson
The Flatiron Building, designed by Daniel Burnham (1846–1912), completed 1902, in a photograph of c. 1905 by the Detroit Publishing Company. Library of Congress, Washington, D.C., Prints and Photographs Division.
It’s a neighborhood that is currently food central for New York gastronomes and casual grazers. Bookended by the high end Eleven Madison Park on one side of the park and the mecca of Eataly on the other, there is the humble Shake Shack at the park’s core, where you can eat al fresco and look at some fine sculpture and architecture. For us this neighborhood constitutes the ideal conjunction of food and ar…» More
July 28, 2014 |
Do you remember the game License Plates, when vacation travel meant keeping your eyes peeled for car tags from as many states as possible? Well, this summer you can play Art Everywhere, looking for masterpieces of American art scattered across the American landscape.
In some fifty thousand outdoor locations across the country starting on August 4--in cities and towns large and small, on billboards and buses, train platforms and bus shelters--the Art Everywhere project will display reproductions of more than fifty great American artworks from the collections of the Dallas Museum of Art, the Los Angeles County Museum of Art, the Art Institute of Chicago, the National Gallery of Art in Washington, and the Whitney Muse…» More
March 19, 2014 | In a story that is the stuff of fairy tales, one of the missing imperial Fabergé Easter Eggs made for the Russian royal family has been found and will be on public view at Court Jewellers Wartski in Mayfair, London, in the run up to Easter. The magnificent Third Imperial Easter Egg had turned up in the hands of an unsuspecting American Midwesterner who bought it for its gold value.
Carl Fabergé, goldsmith to the czars, created the lavish imperial Easter eggs for Emperors Alexander III and Nicholas II from 1885 to 1916. Only fifty were ever made, each one unique. After the revolution the imperial eggs were seized by the Bolsheviks. Some they kept, but most were sold to the West. Two were bought by Queen Mary and are part of the British Royal Collection. Many belong to museums, oligarchs, sheikhs, and heiresses. Eight, however, are missing-of which only three are believed to have survived the revolution.
The rediscovered egg was the one given by Alexander III to his wife, Emp…» More
[Compiled by Bill Stern, Executive Director at the Museum of California Design, Los Angeles. Originally published in "Curator's Eye" in Modern Magazi» View All