August 12, 2014 | In this, the quietest season of the year for the New York art world, when most of the commercial galleries are shuttered and the museums have been abandoned to the tourists, it behooves the critic to slow down for a few weeks and smell the flowers. By that I mean returning to the permanent collections and observing the recent addition of several significant objects. I refer in specific to two seventeenth-century paintings that have just entered the collections of the Metropolitan Museum: Saint Francis in Ecstasy by the Genoese master Giovanni Benedetto Castiglione and The Sacrifice of Polyxena by Charles Le Brun.
These are not exactly blockbuster acquisitions and have not even been done the honor of a press release. Rather, when no one was looking, they quietly appeared out of nowhere, assuming their places among the immortals of the collection. One will not love the Old Master tradition because of these two works: rather one will love these two works because they form part o…» More
July 30, 2014 | Whatever my other sins might be, envy is not usually among them. And yet, I recently felt that unwelcome emotion as I leafed through a coffee table book devoted to, of all things, the private library of Carl Gustav Jung. To turn from those rows of solemn volumes to the calamitous misalliance of dust jackets and trade paperbacks that make up my library was to form no very flattering notion of the modern book business. What was so charming about Jung's collection was that, in addition to its sixteenth- and seventeenth-century volumes, it was made up chiefly of those austerely elegant German, French, and English editions that formed the bedrock of late nineteenth- and early twentieth-century publishing.
As it happens, my own library may resemble Jung's a little more than do most of my contemporaries': for reasons of predilection and economy, I have been acquiring old books from the earliest moment when I had the money to do so. In younger years I haunted New York's great and ve…» More
July 30, 2014 |
In a refreshing new twist on how to bring new life to long-revered art and objects both the Staatliche Kunstsammlungen in Dresden and the Rijksmuseum in Amsterdam have invited philosophers to play the role of curator
DRESDEN CONSIDERS THE BOWL
Philosopher Wolfgang Scheppe has collaborated with the staff of the Dresden State Art Collections to present an exhibition in tribute to the American art historian George Kubler and his 1962 treatise The Shape of Time. The show focuses on a single form: the bowl. Ninety-nine examples drawn from many eras and cultures are presented in a long line and juxtaposed against a series of conceptual photographs, also of bowls, by the late Italian photographer Franco Vimercati. The human imagination cannot help but compare and contrast them according to the visual relationships created by their ordering. The bowl itself is revealed to be timeless and as utilitarian now as it was at the dawn of human c…» More
July 28, 2014 |
Do you remember the game License Plates, when vacation travel meant keeping your eyes peeled for car tags from as many states as possible? Well, this summer you can play Art Everywhere, looking for masterpieces of American art scattered across the American landscape.
In some fifty thousand outdoor locations across the country starting on August 4--in cities and towns large and small, on billboards and buses, train platforms and bus shelters--the Art Everywhere project will display reproductions of more than fifty great American artworks from the collections of the Dallas Museum of Art, the Los Angeles County Museum of Art, the Art Institute of Chicago, the National Gallery of Art in Washington, and the Whitney Muse…» More
July 3, 2014 | Fore more, visit our calendar.
Left: Eagle by Bernard Langlais, ,ca. 1964, raw and painted wood, 96 x 48 x 3 inches, Colby College Museum of Art, Gift of Mrs. Bernard Langlais. Photo: Pixel Acuity. On view at Colby College Museum of Art, Waterville, Maine. July 19 to January 4, 2015.
Montgomery Montgomery Museum of Fine Arts: "Origins: The First Twenty-Five Years of the MMFA Collection"; July 12 to August 31.
Phoenix Phoenix ArtMuseum: "Antonio Berni: Juanito and Ramona"; to September 21.* # "William H. Johnson: An American Modern"; to July 13.*
Bentonville Crystal Bridges Museum of American Art: "American Encounters: Anglo-American Portraiture in an Era of revolution"; to September 15.* # "Born of Fire: Ceramic Art in Regional Collections"; to March 2, 2015.
Los Angeles Autry National Center: "Floral Journey: Native North American Beadwork"; to April 26, 2015.* # "Route 66: The Road and the Romance"; to January 4, 2015.
by Émile Jacques Ruhlmann (1879-1933), 1926. Macassar ebony, amaranth, and ivory. Metropolitan Museum of Art. By Cynthia Drayton» View All