A Bronx Tale: Exhibitors from the Winter Antiques Show tour East Side House Settlement, the show’s beneficiary
February 10, 2016 |
East Side House Settlement (ESHS) Administrative Building, 337 Alexander Avenue, in the Mott Haven section of the Bronx, New York. Photographs by Ahron Foster.
“Take the work that you love, whatever it is, and angle it towards justice.” -Ta-Nehisi Coates
September 29, 2015: On this beautiful Indian summer day two quite different communities came together for a few hours in the South Bronx: a group of exhibitors at January’s Winter Antiques Show boarded a van bound for the Mott Haven neighborhood to visit the folks at East Side House Settlement, the charity that established the Winter show some sixty years ago.
Back then, in 1955, ESHS was still located on the city’s Upper East Side, near enough to the show’s site in Manhattan to make the connection between programs for the disadvantaged and the buying and selling of Queen Anne high chests and antique diamond brooches slightly less remote.
In 1963 ESHS moved to the South Bronx, a world away from …» More
January 14, 2016 | We occasionally split the run of an issue of ANTIQUES with one cover for subscribers—an interior from Abbeville, Louisiana, in this case—and another for distribution at shows—Louis Lozowick’s 1930 lithograph of the Brooklyn Bridge. If this sounds like a North/South thing it isn’t exactly, but I’ll explain that in a moment.
The New York art and antiques season seems a good time to consider the Brooklyn Bridge, a potent symbol linking past and future, our perennial theme here. Its soaring Gothic arches held in the disciplined embrace of an engineering marvel have always beckoned artists, poets, filmmakers, and musicians, and I can’t be the only Midwestern adolescent who read Hart Crane’s The Bridge and fell in love with those cables and arches before ever visiting this city. Did I imagine a monument so powerful that, in Crane’s overwrought words, it could “lend a myth to God”? I did. I still see it as a work of art, capable, on any given day, of transfiguring the landscape and …» More
December 7, 2015 | It would be tempting to wiggle into this one, introduce the issue with some high minded talk about the past not being another country and so forth, go on to mention our wonderful articles about Julia Margaret Cameron, etc., but more about all of that in a minute…The fact is we have something here requiring immediate comment—Paul Kossey’s discovery of a set of drawings done in 1945 quite probably by Schenley High School in Pittsburgh’s most famous graduate, Andy Warhol. Let’s begin with Mr. Kossey, whose sleuthing has appeared in these pages before (“George Caleb Bingham’s Rocky Mountains, a landscape discovery,” November/December 2014). He could have gone elsewhere with his big find but he trusts us to see something like this through in a careful manner. And I think we have.
This is hot. Or it’s not. Some people will take a shot at it. The experts consulted have been encouraging, but no one will risk authenticating any work by Warhol now for all the well-publicized legal reaso…» More
October 14, 2015 | One afternoon not long after I began working here I opened a letter that asked me a challenging question: how, the writer wanted to know, “did a Polack [sic] like you get your position?” After a few jolly moments in the office I called our longtime editor Wendell Garrett, who enjoyed odd news from the passing scene. Wendell was amused, but he also reminded me that the magazine had been founded in the 1920s, the banner era of American xenophobia, and he reckoned some of that lingered in a few of its readers.
It made sense. The heretofore neglected field of American art and decorative arts embraced by the magazine was bound to draw a trickle of folks for whom the only way to be American is to give up being anything else…as if that were possible. The magazine, of course, took a higher road, celebrating the successes of American arts and just as often noting their connections to the arts of the rest of the world.
Which brings me to our September/October issue, which has tradition…» More
July 29, 2015 | We look forward to the merger of The Magazine ANTIQUES and MODERN Magazine with ARTNEWS S.A. as we expand our digital presence, reach new readers, and bring the best in scholarship and criticism on the fine and decorative arts to a global audience.» More
by Émile Jacques Ruhlmann (1879-1933), 1926. Macassar ebony, amaranth, and ivory. Metropolitan Museum of Art. By Cynthia Drayton» View All