"Glackens combines greatness as an artist with a big man's mind,"
Alfred C. Barnes
By the time it arrives at the Barnes Foundation in Philadelphia next fall the big William Glackens (1870-1938) exhibition that has just opened at the Museum of Art, Fort Lauderdale will have altered the reputation of this surprisingly versatile artist. In the view of the show's curator Avis Berman, a regular contributor to Antiques, the eighty-five works on display establish the artist as far more experimental, subtle, and yes, modern, than he has heretofore been credited with being. Of course readers of this magazine we were already aware that there is a great deal more to Glackens than conventionally thought thanks to Berman's excellent articles on his work here (March/April 2011 and January/February 2014).
The traveling show and its catalogue, edited by Berman, will also put on view the things that make her a valued contributor to Antiques: the depth of her scholarshi…» More
March 10, 2014 | TRANSITIONS
London-based Asian art specialist Ben Janssens, who was injured in a cycling accident last August, has resigned as chairman of the European Fine Art Fair after seven years. He will continue serving on TEFAF's board of trustees and as chairman of its Antiquairs section. Willem van Roijen succeeds Janssens, replacing acting TEFAF chairman Robert Aronson.
Joshua W. Lane (left) has been named the Lois F. and Henry S. McNeil Curator of Furniture at Winterthur Museum. Lane, curator of furniture at Historic Deerfield since 2000, assumes the post on April 14. He directed Historic Deerfield's Summer Fellowship Program between 2005 and 2012. Lane replaces Wendy Cooper, who retired last year.
Malcolm Rogers, director of Boston's Museum of Fine Arts since 1994, will retire. The activist director oversaw an era of explosive growth at the MFA culminating with the opening of the new Art of the Americas Wing in 2010 but was at times criticized at times for his aggressive …» More
March 10, 2014 | King by Alice Neel (1900-1988), c. 1954. India ink on paper, 13.33 by 11 inches. The Estate of Alice Neel, Courtesy Aurel Scheibler, Berlin.
The modern section of the Armory Show on Pier 92 (March 6-9) opened with a significant surprise: an installation curated by Susan Harris, Venus Drawn Out: 20th Century Works by Great Woman Artists. Pier 92 had never done a curatorial project before so encountering one hung salon style amidst the intensely commercial hubbub of the show was the first surprise...but not the last. When she was initially asked to do an exhibition culled from the galleries that would be exhibiting on the pier, Harris began by thinking about drawings, something she loves but not something that is at the red hot center of a market where paintings rule, surprise number two. As she was making a list of twentieth-century artists whose drawings she admired she realized that they were all by women, another unexpected development. Thus Venus Drawn Out whose organic, a…» More
March 4, 2014 | Comings and Goings
Joshua W. Lane has been named the Lois F. and Henry S. McNeil Curator of Furniture at Winterthur Museum. Lane, curator of furniture at Historic Deerfield since 2000, assumes the post on April 14. He directed Historic Deerfield's Summer Fellowship Program between 2005 and 2012. Lane replaces Wendy Cooper, who retired last year.
Malcolm Rogers, director of Boston's Museum of Fine Arts since 1994, will retire. The activist director oversaw an era of explosive growth at the MFA culminating with the opening of the new Art of the Americas Wing in 2010 but was at times criticized at times for his aggressive management style. Rogers, who is staying until a successor is found, also announced two new curatorial chairs. Frederick Ilchman will head Art of Europe while Benjamin Weiss leads Prints, Drawings, and Photographs.
February 24, 2014 | What began as a well-intentioned effort to halt the wanton slaughter of elephants has resulted in sweeping restrictions on the U.S. trade in elephant ivory. As part of the Obama administration's broader strategy to combat wildlife trafficking, the U.S. Fish and Wildlife Service on February 11 announced new regulations prohibiting all imports, even antiques made partly or entirely of the material. The rules, say dealers in historic works of art, denigrate cultural heritage while failing to stop poachers, who will likely find ready markets for ivory elsewhere in the world.
The regulations also limit exports to objects that are demonstrably one hundred years or older, apparently preventing an American dealer or institution from selling an inlaid Ruhlmann cabinet of 1926 to a European client. Selling documented antique ivory across state lines remains lawful, as does intrastate trade in objects imported lawfully prior to 1990 or 1975, depending on whether the ivory is…» More
[Compiled by Darrin Alfred, Associate Curator, Department of Architecture, Design and Graphics at the Denver Art Museum. Originally published in "Cur» View All