These tiny triumphs speak to human ingenuity, boundless reservoirs of patience, and painstaking craftsmanship in efforts where the slightest error will ruin the whole.
Andrew Jackson and three Philadelphia cabinetmakers.
The third edition of Dispatches, a new sporadical email newsletter about the arts of the past as they live in the present day by Elizabeth Pochoda, Advisory Editor, The Magazine ANTIQUES.
A fresh perspective on tramp art at the Museum of International Folk Art.
The man who brought together the furniture and works of art in two Texas homes takes inspiration from several directions.
In 1926 John D. Rockefeller Jr. formally embarked on the project that would become the Colonial Williamsburg Foundation by purchasing Philip Ludwell’s house of about 1775 on Duke of Gloucester Street. That acquisition, the first “antique” in Colonial Williamsburg’s collection, came to play a pivotal role in the founding of what would eventually be the Abby Aldrich Rockefeller Folk Art Museum.
The exhibition American Folk Art: The Art of the Common Man in America, 1750–1900 was held at the Museum of Modern Art in New York City from November 30, 1932, through January 14, 1933. Presenting American folk art as part of a continuous artistic tradition reaching back to the eighteenth century, it was the most comprehensive, illuminating display of the subject held up to that time.
Notes on Photographs by Larry Silver, 1949–1955 at the New-York Historical Society. Precisely because photography is thought to be the most objective of all mediums, it acquires over the course of years, and seemingly in spite of itself, a haunted quality that no other product of visual culture can claim to the same degree. Fig. 9. Leaving Penn Station, 1952. …
A group of circus posters at the Shelburne Museum illustrates the routine stereotypes and exploitative practices of circus owners as they battled one another for primacy. Fig. 3. History and Medical Description of the Two-Headed Girl, published by Warren, Johnson and Company, Buffalo New York, 1869. Pamphlet with woodcut illustrations, 7 by 5 inches. Shelburne Museum, Vermont, gift of the …
Early nineteenth-century American portraiture includes a number of small profile likenesses in oil, pastel, and watercolor by artists such as C. B. J. F. de St. Mémin, James Sharples, Gerrit Schipper, and Jacob Eichholtz. All follow the European fashion for profiles, namely emulating those on Greek vases and Roman coinage, and are thus fitting for the neoclassical motifs and styles …