Your search for "Barrymore Laurence Scherer" returned 18 entries.
This month the Frick opens Pierre Gouthière: Virtuoso Gilder at the French Court, the first show devoted to the work in gilded metal—traditionally called bronze d'oré in French—by an artist whose achievements placed him among the finest French masters of the eighteenth century.
The fiftieth anniversary of the rescue of Church’s exotic masterpiece finds it and its spectacular landscape more popular than ever with lovers of art, architecture, and ecology.
Recent noteworthy publications that are a pleasure to read and a delight to behold
John Whitenight and Fred LaValley re-create (and improve upon) the nineteenth century's passion for natural history, craftsmanship, and design in their Philadelphia town house
The new collector....
In April the Pewter Collectors' Club of America is presenting a loan exhibition, Pewter: The Philadelphia Story, at the Philadelphia Antiques Show. If colonial silver often takes the spotlight for rarity and cost in American metalwork, this exhibition of nearly 150 of the finest domestic and ecclesiastical examples of eighteenth- and early nineteenth-century pewter will underscore the soft warmth of pewter's silvery-gray sheen and the subtle restraint of design that have bolstered pewter's continuing allure as a collecting field.
Strikingly colorful, often large scale and beautifully designed, vintage posters form one of the liveliest and most accessible collecting fields among the graphic arts, especially as they cover a wide range of interests from travel, food, and entertainment, to politics and propaganda.
The National Academy reopens with six exhibitions designed to reclaim its pivotal role in American art and architecture.