Your search for "Gregory Cerio" returned 27 entries.
With its stunning façade composed almost entirely of textured glass blocks set in a steel framework, the Maison de Verre, or “House of Glass,” designed and built between 1927 and 1932, is one of the most remarkable buildings in Paris.
Lately I’ve noticed that fewer and fewer of the e-mails I receive begin with a full salutation. Most notes these days open merely “Greg” or “Gregory.” The name isn’t preceded by “Dear,” or “Greetings,” or “Hello,” not even a “Hi” or a “Hey.” Maybe the brisk efficiency of digital communication is to blame. Or perhaps it’s an effect of inequality: in tightfisted times, with each of us protecting his or her own withered patch of prosperity, unconsciously we have forgotten about simple courtesy. Whatever the reason for the change, I miss that small gesture of civility represented by the word “Dear,” which, after all, costs nothing more than a few keystrokes.
As we say farewell to Betsy Pochoda, who moves on to her next adventures after eight years at the helm of ANTIQUES, we welcome Gregory Cerio as the new editor.
It has been something of a long goodbye, my planned departure from these pages, and yet it has taken all of five months to arrive at the right successor. Now we have—Gregory Cerio, an old friend as it happens, whom you will meet on the last page of this issue. We are all pleased. We know Greg as someone with an unyielding faith in the arts of the past and a keen sense of how to give them a lively presence today.
Specializing in American and European paintings of the eighteenth through twentieth centuries and best known for its expertise in Philadelphia artists, the Schwarz Gallery on Chestnut Street is one of the city’s most esteemed art galleries. The success of the family-owned and family-run firm is all the more remarkable for the fact that its history has been so marked by contingency. Consider, for example, that not one of the members of the three generations of Schwarzes to operate the gallery actually planned to become a dealer. “My grandfather Frank Schwarz, who founded the company, had been studying to be a lawyer; and my dad was a pre-med student,” says Robert D. Schwarz Jr., who manages the gallery with his wife, Deepali Schwarz. “I graduated from college with a degree in computer science.”
Recent issues of The Magazine ANTIQUES have delved into the history and collecting of 20th-century design. The September 2008 article "The lost generation of Danish design" by Gregory Cerio is just one example. For readers interested in learning more about Denmark's design masters the website Danish-furniture.com offers a fine introduction.
August 2009 | Many of the greatest figures in modernist design and architecture were deeply engaged with folk art, on levels ranging from the respectful and intellectual to the avidly celebratory.
Editor's Letter from The Magazine ANTIQUES May 2009 issue.