Your search for "The Magazine ANTIQUES" returned 34 entries.
As we say farewell to Betsy Pochoda, who moves on to her next adventures after eight years at the helm of ANTIQUES, we welcome Gregory Cerio as the new editor.
Glenn Adamson joins us this month as editor at large with an interesting mandate you can read about below. Glenn was most recently director of the Museum of Arts and Design. Before that he was head of research at the V&A, and curator of the Chipstone Foundation.
The fruits of extensive research on Benjamin Henry Latrobe’s 1808 house and furniture for William and Mary Waln begin with their impact on the aesthetic of the city itself.
Discoveries come in such unexpected ways. You can search for years for a missing piece of your puzzle without success. And then, sometimes, it falls in your lap! That is what happened last year when my friend Tom Jewett, of Jewett-Berdan Antiques, posted pictures of his Christmas decorations on Facebook.
No English country-house garden would be complete without the well-placed statue erminating a vista--Thomas Gray's "storied urn and animated bust"1 --giving a classical and literary reference to the landscape and subtly humanizing the wildness of nature. The origin of this, as of so many other aspects of British garden design, can be traced to sixteenth-century Italy
The rare duo by John Henry Belter, now restored and on display at the VMFA, were well suited to their long and glamorous role in Washington's social scene
Good fortune/Good timing: The felicitous and sometimes unexpected manner in which collections develop, as seen in four remarkable Los Angeles-based collections of American needlework.
On the eve of President and Mrs. John F. Kennedy's visit to Dallas in 1963 a group of Fort Worth collectors gathered sixteen masterworks of European and American art and installed them in the presidential suite in the Hotel Texas.
Anxious and awestruck, I waited outside Wendell Garrett's office in the spring of 1971. He was the managing editor of The Magazine Antiques and I was a nervous twenty-three-year-old graduate student in the Winterthur Program in Early American Culture.