The name of Charles Percier has for so long been linked with that of his collaborator and partner, Pierre François Fontaine, most notably for their Recueil de décorations intérieures, that the breadth of his individual accomplishments and talents as revealed in the current exhibition at the Bard Graduate Center is a bit mindboggling.
Alice Ravenel Huger Smith wrote in her Reminiscences that Middleton Place, the family seat of her Middleton ancestors, reminded her of ‘a jewel thrown down in the green woods.”
The ninth edition of this elegant fall showcase will fill the top three floors of the 1896 Renaissance revival style Bohemian National Hall on Manhattan’s Upper East Side with stock from seventeen top-tier art galleries.
The Detroit Institute of Arts has organized a delightful and illuminating exhibition that explores the myriad ramifications that coffee, tea, and chocolate had on European culture.
Brilliance and madness; poverty and fame—the life of Ralph Albert Blakelock (1847–1919) forms one of the more fascinating chapters in the history of American art.
Asked to name two artists least likely to be paired in a museum exhibition, you could do worse than to suggest Edvard Munch and Jasper Johns. The former is the father of expressionism, maker of The Scream and other paintings filled with anxiety and existential dread; the latter is best known for his cool and detached depictions of commonplace objects such as flags and targets—works that laid the foundation for pop art and other contemporary art movements.
A decidedly different perspective on the pasture can be seen at the Brandywine River Museum of Art in Pennsylvania.
Though the United States has been predominantly a nation of city dwellers since the 1920s, the farm still figures large in the American consciousness.
Since the early nineteenth century, Mount Washington, the highest peak in the northeastern United States at 6,288 feet, has played muse to some of America’s most famous artists, including Thomas Cole and Albert Bierstadt. Dramatic views of the “Crown of New England” rendered by painters and photographers helped spur the growth of scenic tourism in New Hamphire’s The White Mountains, …
Thanks to an active export market that sent its wares to the southern colonies, Canada, and parts of the Caribbean, furniture makers of Rhode Island enjoyed an influence far greater than their industry’s small size. The region’s superlative, and often misattributed, craftsmanship from the colonial and early Federal periods is the focus of a new exhibition, Art and Industry in …