Franz Marc and August Macke were both young artists—twenty-nine and twenty-three, respectively—when they first met in Munich in January 1910. Marc was Bavarian and Macke was from the Rhineland. They soon became friends and visited each other’s studios in and near Munich. They shared many affiliations, friends, and interests.
This month, the Neue Galerie brings us Before the Fall: German and Austrian Art of the 1930s, the much-anticipated completion of curator Olaf Peters’ trilogy of meditations on interwar Germany and Austria.
Fashion and the Wiener Werkstätte
Early twentieth—century modernism-particularly that of Austria and Germany—seems to be all over New York this fall, with two exhibitions at the Guggenheim—Kandinsky, and Gabriel Munter and Vasily Kandisnky 1902-14: A life in Photographs—one at the Museum of Modern Art—Bauhaus 1919-1933: Workshops for Modernity, and yet another at the Neue Galerie: From Klimt to Klee: Masterworks from the Serge Sebarsky Collection, …