A new installment of our web-only column about the worlds of ceramics and glass
Ten years ago, a show at the New-York Historical Society revealed a remarkable discovery made by a team of decorative arts scholars: the story of Clara Driscoll (1861–1944), the turn-of-the-century artist who, with her team of “Tiffany Girls,” designed some of the studio’s most iconic leaded glass lamps.
A powerful exhibition looks at World War I through the lens of American Art.
A new exhibition examines the long, colorful history of tattooing in New York.
Just when twenty-first-century New York has all but erased its louche past-dives, burlesque halls, raffish markets, and public spectacles-with well-mannered parks, high-rise condominiums, and corporately branded entertainment venues, the New-York Historical Society has resurrected it in Swing Time: Reginald Marsh and Thirties New York. It’s nice to have the old New York back. Marsh was born far above the city’s …