No Growing Pains at the Frick Collection

Editorial Staff Furniture & Decorative Arts

Recently, an ill-considered op-ed in the New York Times, written by David Masello, took issue with the Frick Collection’s plans for an ambitious expansion. Yes, there is something formulaic, almost knee-jerk in the way in which, these days, every museum seems to feel that it must expand and debase itself to embrace bigger audiences. But there is something equally formulaic, …

Harmonic inventions

Editorial Staff Furniture & Decorative Arts

For most of his eighty-five years H. Peter Stern has carried within him the vision of a lost Eden. As a boy on vacation from his European boarding school he often traveled back to Bucharest by Orient Express. Ap­proaching home he thrilled to the sight of the Transylvanian plains, where farm­ers in sheepskin jackets and tall fur hats worked golden …

Banning ivory: A nuanced approach needed

Editorial Staff Furniture & Decorative Arts

What began as a well-intentioned effort to halt the wanton slaughter of elephants has resulted in sweeping restrictions on the U.S. trade in elephant ivory.  As part of the Obama administration’s broader strategy to combat wildlife trafficking, the U.S. Fish and Wildlife Service on February 11 announced new regulations prohibiting all imports, even antiques made partly or entirely of the …

Art of the South at Colonial Williamsburg

Editorial Staff Art, Exhibitions, Furniture & Decorative Arts

It’s been more than half a century since the groundbreaking Loan Exhibition of Southern Furniture 1640-1820 held at the Virginia Museum of Fine Arts in 1952, and much has happened since then, not just in the study of southern furniture but of the decorative arts of the re­gion as a whole.  It is time, indeed, to re­visit the subject on …

Living history: A New England couple reanimates the past

Editorial Staff Furniture & Decorative Arts

An  interior view signed by James McNeill Whistler (1834-1903) hangs above a veneered wal­nut dressing table, Boston, 1710-1730, formerly in the collection of Eric Martin Wunsch. On the dress­ing table, from left, are a delft hand warmer shaped like a book, Lon­don, probably Southwark, dated 1665 and initialed “B./I.E”; a delft jug with armorial decoration, Lon­don, 1699; and a Charles …

Talking past and present

Editorial Staff Art, Furniture & Decorative Arts

The Peabody Essex Museum in Salem, Massachusetts, may be this country’s oldest continuing museum…or it may not be. Given its other distinctions, that hardly matters. Founded in 1799 by the wealthy entrepreneurs of Salem whose merchant ships sailed to India, Japan, Africa, China, the Pacific Islands, and beyond, it began with the curious idea of presenting the citizens of Salem …

Eminent Victorians

Editorial Staff Furniture & Decorative Arts

Photography by Alan Kolc | from The Magazine ANTIQUES, September/October 2013. The brick house, handsomely trimmed in brownstone, dates from 1866, one of six iden­tical buildings in the heart of Philadelphia’s historic district. Situated a few streets away from Inde­pendence Hall, it was once the home of Brevet General Henry Harrison Bingham (1841-1912), a Congres­sional Medal of Honor laureate for …

Four Seasons at Shelburne

Editorial Staff Furniture & Decorative Arts

from The Magazine ANTIQUES, July/August 2013 | IN HER FIRST ANNUAL REPORT, in 1948, Electra Havemeyer Webb, founder of Shelburne Museum, expressed her desire for “a building or adequate space in one for educational programs and loaned exhibits.” The new Pizzagalli Center for Art and Education, which will hold exhibitions, lectures, films, concerts, and workshops, even during the challenging months …