Evocative doesn’t even begin to describe the latest exhibition at the Detroit Institute of Arts. For the first time in over two hundred years, a set of baroque-era armor is on view to the public alongside Juan van der Hamen y Léon’s portrait of Jean de Croÿ wearing it. ⬬
Hot Stove League
A gallery of six kitchens in historic American homes across the nation.
Living with antiques: The Oddities Couple
In Connecticut, Ryan and Regina Cohn have created a live-in Victorian Gothic cabinet of curiosities.
Selections from 100 years of Antiques covers: Late Spring edition
A selection of ANTIQUES covers from late spring publications
A Simple Plan
The Paul Schweikher House outside Chicago stands as a testament to one architect’s mastery of space and material
Openings and Closings: October 6 to October 12
Check out what’s going on this week at museums across the country!
Crazy Eight
Second Empire France—ruled by Napoleon III from 1852 to 1870—bequeathed a varied and colorful legacy, especially in matters of architecture.
Magazine September October 2019
Subscribe to The Magazine ANTIQUES today! And sign-up for our newsletter! SEPTEMBER/OCTOBER 2019 Editor’s LetterGregory Cerio Critical Thinking/Difficult IssuesCapture the Flag Glenn Adamson Current and ComingVera Neumann at the Museum of Arts and Design, California studio craft at the SFO Museum, John Singer Sargent at the Morgan Library, and more On BooksA new book on the life and work of the …
Dispatch 4: TEFAF Maastricht
The fourth edition of Dispatches, a new sporadical email newsletter about the arts of the past as they live in the present day by Elizabeth Pochoda, Advisory Editor, The Magazine ANTIQUES.
From the archives: “New Mexican tinwork, 1840-1915”
By Lane Coulter; from The Magazine ANTIQUES, October 1991 The art of the tinsmith flourished in New Mexico from about 1840 to 1915. During this period Hispanic tinsmiths primarily made devotional objects that reflected the Roman Catholicism of the Spanish Southwest, but they also made a limited number of more secular objects. They used shapes derived from architecture as well as immensely …
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