JANUARY/FEBRUARY 2025
Guest Editor's Letter
Thomas Jayne
Talking Antiques
Exhibitors at New York’s Winter Show describe some of the exceptional offerings they will bring to this year’s edition at the Park Avenue Armory.
Exhibitions
Portrait miniature painter John Smart in Missouri, Old Masters on tour from Puerto Rico, Laurene Krasny Brown at Olde Hope, and more.
Field Notes
Sniffing the Zeitgeist
Elizabeth Pochoda
Objects
Masters of Disguise: Made for a simple purpose—to store tea securely—antique wooden caddies come in a variety of ingenious forms, some made to confound would be thieves, others to amaze.
Benjamin Davidson and Pippa Biddle
Accessions
Horse Sense: The Kimbell Art Museum’s director discusses a fine specimen from George Stubbs’s Mares and Foals series recently added to the collection.
Eric M. Lee
Passing Fancies
What happened to curtains?
A conversation with textile specialist Natalie F. Larson
Jewelry
Family Jewels: In the mid-twentieth century Italian designer Aloisia Rucellai remade antique adornments to meet modern standards of taste. Today, her granddaughter is championing Rucellai’s sleek, surreal, and unforgettable creations among a new generation of aesthetes.
Sarah Bilotta
Endnotes
A New Day for Traditional Craft: We introduce a curator who will spotlight Indigenous ceramics at the Gardiner Museum.
Eleanor H. Gustafson
Features
An American Chorus
Visitors who stop by the Metropolitan Museum of Art’s American Wing will be greeted not only by the exciting, challenging newness of the reinstallation—undertaken to mark the Wing’s hundredth anniversary—but given the opportunity to look beyond surfaces, with the help of two many-voiced audio guides that unravel the foundational myths of American art history object by object.
Glenn Adamson
Behind Closed Drawers
At the Kravet archive in Woodbury, Long Island, tens of thousands of textile samples from around the world are assiduously catalogued and preserved, serving both as a comprehensive record of sewn, woven, embroidered, and printed design history, and as inspiration for contemporary makers.
Wendy Moonan