November/December 2022


Editor's Letter

Gregory Cerio

Field Notes

Philadelphia Stories
Elizabeth Pochoda

Current and Coming

Andrew LaMar Hopkins's first museum retrospective, Morris Hirschfield re-examined at AFAM, and Edward Hopper's New York at the Whitney

In Memoriam

Field Trip

She Dwelt in Possibility (and This House): A visit to the newly restored Emily Dickinson Museum in Amherst
Eve M. Kahn

Digital Doings

From Shakers to Conquistadors
Sammy Dalati

Object Lesson

Ozark Roadside Tourist Pottery: The legend of Harold Horine
Benjamin Davidson and Pippa Biddle

Dealer Profile

A Connoisseur for All Seasons: Art dealer and collector Deedee Wigmore
Gregory Cerio


Elizabeth Lanza


Frill Seekers
Eleanor H. Gustafson

On the cover: Detail of The Marriage of the Artistic Expression of the North and of the South on This Continent (Pan-American Unity) by Diego Rivera (1886–1957), 1940. City College of San Francisco, © Banco de Mexico Diego Rivera and Frida Kahlo Museums Trust, Mexico City, Mexico D.F. / Artist Rights Society (ARS), New York; photograph courtesy of Cultural Heritage Imaging.

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Forging Ahead

Artist of iron Samuel Yellin and the landmark year 1922
Joseph Cunningham

We're No Angels

Women and allegory in the art of Mary Lizzie Macomber
Lisa N. Peters

Selections from 100 Years of ANTIQUES Covers

Late Fall edition
Martin Minerva

Pulling Rabbits Out of a Hat

Alfred Maurer's cubist still lifes
Stacey B. Epstein

First Against the Wall

The San Francisco Museum of Modern Art explores the work of Diego Rivera in America at scales large and small
James Gardner