NOVEMBER/DECEMBER 2022
Editor's Letter
Gregory Cerio
Field Notes
Philadelphia Stories
Elizabeth Pochoda
Current and Coming
Andrew LaMar Hopkins's first museum retrospective, Morris Hirschfield re-examined at AFAM, and Edward Hopper's New York at the Whitney
In Memoriam
Smiling with Scudder: Remembering R. Scudder Smith (1935–2022), publisher of the Newtown Bee and founder of Antiques and the Arts Weekly
Kevin J. Tulimieri
Field Trip
She Dwelt in Possibility (and This House): A visit to the newly restored Emily Dickinson Museum in Amherst
Eve M. Kahn
Digital Doings
From Shakers to Conquistadors
Sammy Dalati
Object Lesson
Ozark Roadside Tourist Pottery: The legend of Harold Horine
Benjamin Davidson and Pippa Biddle
Dealer Profile
A Connoisseur for All Seasons: Art dealer and collector Deedee Wigmore
Gregory Cerio
Events
Elizabeth Lanza
Endnotes
Frill Seekers
Eleanor H. Gustafson
Features
The Flowering of American Impressionism in Gloucester
How Frank Duveneck fostered the rise of a new painting genre in a coastal Massachusetts town
Henry Adams
Forging Ahead
Artist of iron Samuel Yellin and the landmark year 1922
Joseph Cunningham
We're No Angels
Women and allegory in the art of Mary Lizzie Macomber
Lisa N. Peters
Selections from 100 Years of ANTIQUES Covers
Late Fall edition
Martin Minerva
Pulling Rabbits Out of a Hat
Alfred Maurer's cubist still lifes
Stacey B. Epstein
First Against the Wall
The San Francisco Museum of Modern Art explores the work of Diego Rivera in America at scales large and small
James Gardner