from The Magazine ANTIQUES, May/June 2012 | How do we account for the strangeness of Andrew Wyeth’s art of the 1940s? How, that is, beyond discerning the surrealist undertones, finding the magic realist affinities, or seeing that Wyeth followed in a Brandywine tradition whose oddity was firmly established by Howard Pyle-lone pirates on desolate shores; magicians and curly-shoed dwarves; Revolutionary …
Genius is always above its age
from The Magazine ANTIQUES, May/June 2012 | A traveling retrospective of George Bellows offers a fresh perspective on an artist whose work transcended time, place, and the accomplishments of his contemporaries. To say that George Bellows was quintessentially American is to state nothing less than the outstanding fact about the man. Though he moved in 1904 to New …
The Kaufman Collection: The pursuit of excellence and a gift to the nation
Photography by Gavin Ashworth | from The Magazine ANTIQUES, May/June 2012 | In my catalogue of friends, mentors, scholars, and collectors, Linda H. and the late George M. Kaufman fill all the roles. From my earliest acquaintance with them in 1974, I have been in awe of their collection and of their indefatigable focus on beauty and excellence in their Norfolk, …
Antiques Week in Philadelphia: The Philadelphia Antiques Show
From its redesigned catalogue to its sleek new stands, the Philadelphia Antiques Show looked younger than its 51 years when it opened on Friday, April 27, for a five-day run. Organized as a benefit for Penn Medicine, the show is one of the oldest and most traditional in the country with a reputation for top-flight American, English, and …
Antiques Week in Philadelphia: 23rd Street Armory Antiques Show
Thurston Nichols, Breinigsville, Pa. 23rd Street Armory Antiques Show. Charles Wilson, West Chester, Pa. 23rd Street Armory Antiques Show. Bruce Shoemaker, Baldwin House Antiques, Strasburg, Pa. 23rd Street Armory Antiques Show. Jewett- Berdan Antiques, Newcastle, Me. 23rd Street Armory Antiques Show. Hilary and Paulette Nolan, Falmouth, Ma. 23rd Street Armory Antiques …
Sewn not hooked
from The Magazine ANTIQUES, March/April 2012 | About the same time I bought Mercy Huntting’s rug at auction in 2007 (facing page, top), I was given a full run of The Magazine Antiques. Before shelving them for reference I paged through every issue, and to my surprise, found the rug illustrated in May 1951, in Florence Peto’s article “Some Early …
Seen and Heard at the European Fine Art Fair: TEFAF Day One
“The museum doesn’t have a shopping list but I hope our collectors do,” said MFA Boston director Malcolm Rogers, who accompanied a group of American collectors through the European Fine Art Fair (TEFAF) on its opening day, March 15. “I could be tempted to collect Old Master pictures instead of contemporary art,” Whitney Museum of American Art director Adam …
Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939
from The Magazine ANTIQUES, March/April 2012 | In 1851 Albert, prince consort of Queen Victoria, and the architect Henry Cole realized their grand vision of an international exhibition where the traditions, aspirations, and accomplishments of many nations were showcased.1 Hardware at the Great Exhibition by Joseph Nash (1809-1878), from Dickenson’s Comprehensive Pictures of the Great Exhibition of 1851 (London 1852). Color lithograph. Victoria and Albert Museum, …
On Southern Turf
from The Magazine ANTIQUES, January/February 2012 | For Mary and Hank Brockman the proper preservation of the South’s material culture includes art, architecture, artifacts and the landscape. Fig. 22. The back stairwell is hung with Depression era photographs of the American South. One wall holds elegiac images of southern mansions by surrealist photographer John Clarence Laughlin (1905-1985), whose Ghosts Along …
The Real Story of Sleepy Hollow
from The Magazine ANTIQUES, January/February 2012 | Washington Irving could spin a tale so well that even Charles Dickens was in his thrall. “I don’t go upstairs to bed two nights out of the seven,” the English novelist said, “without taking Washington Irving under my arm.”* Irving’s success was long in coming, but it enabled him to move to a …