The Ashmolean: Crossing Cultures–Crossing Time This summer the Ashmolean Museum of Art and Archaeology, the oldest public museum in the United Kingdom, hosts its first major temporary exhibition in the new four-hundred-square-meter space designed for this purpose as part of the museum’s expansion and renovation. The show, entitled The Lost World of Old Europe: The Danube Valley, 5000– 3500 bc …
The Victoria and Albert Museum New Ceramics Study Galleries
The Victoria and Albert Museum: New Ceramics Study Galleries The Victoria and Albert Museum has just opened its new Ceramics Study Galleries, which include more than 26,500 objects spanning almost the entire history of ceramic production from 30,000 bc to the present day. Sir Aston Webb’s bronze-framed wall cases of 1909, created for the original Ceramics Galleries, have been refurbished …
The British Museum Italian Renaissance drawings
The British Museum: Italian Renaissance drawings The British Museum unites fifty Italian Renaissance drawings from the Uffizi’s staggering collections with a similar number drawn from its own formidable holdings. Focusing on the development of drawing in Italy between 1400 and 1510, the exhibition incorporates works by Fra Angelico, Jacopo and Gentile Bellini, Botticelli, Carpaccio, Leonardo da Vinci, Filippo Lippi, Andrea …
Alice Neel and Carlos Enriques: Starting out in the twenties
from The Magazine ANTIQUES, Summer 2010 | Fig. 2. Carlos Enríquez by Alice Neel (1900–1984), 1926. Oil on canvas, 30 ¼ by 24 inches. Estate ofAlice Neel; photograph by Malcolm Varon © Estate of Alice Neel. Fig. 3. Alice Neel by Carlos Enríquez (1900–1957), 1927. Inscribed “La Habana/1927” at lower right. Oil on canvas, 23 ⅝ by 19 ⅝ inches. …
Los Angeles Folk
from The Magazine ANTIQUES, Summer 2010 | Fig. 1. Frame decorated with the ceremonial symbols of the International Order of Odd Fellows (IOOF), American, c. 1870. Wood, paint, and gilding; height 27 ¾, width 22 ½ inches. Fig. 2. Hand-carved and painted heart-in-hand IOOF staffs, American, 1880–1930. Fig. 3. Mounted above a grain-painted Pennsylvania stand of c. 1830 is a …
Great Estates: Historic Hampton in Towson, Maryland
Just outside of Baltimore in Towson, Maryland is the Hampton National Historic Site, part of the National Park Service since 1948, when it was the first site to receive recognition for architectural merit. Built in a popular Georgian domestic style, the mansion is a series of three main units connected by recessed “hyphens,” stretching 175 feet across a large hill. …
Thomas Spencer
Figs. 1,1a. Desk-and-bookcase probably by Thomas Spencer (1752–1840), East Greenwich, Rhode Island, 1775. Mahogany, chestnut, yellow poplar, and white pine; height 91 ½, width 41 ¾, depth 19 ¾ inches. High Museum of Art, Atlanta, gift in loving memory of Nancy Fraser Parker by her husband William A. Parker Jr., and her children William A. Parker III, Isobel P. Mills, …
Shearer Loyalism and Heritage
from The Magazine ANTIQUES, April/May 2010 | Figs. 1, 1a. Desk-and-bookcase made by John Shearer (active c. 1798–at least 1818), Martinsburg, Virginia (now West Virginia), 1801–1806. Inscribed “Down with the Cropper of Ireland” and “Cropper is Repenting and his Master is Angry” in the top drawer of the case. Walnut, cherry, mulberry, yellow pine, and oak; height 8 feet 10 …
Shearer Energy
Fig. 1. The chest of drawers by John Shearer (active c. 1798–at least 1818) that earned Linda Quynn Ross the nickname “Miss Shearer Energy” is now in the living room of her house, Carter Hill, in Winchester, Virginia. On top is a late eighteenth-century box from Frederick County, Virginia. The table at the left is by Shearer, the one on …
Furniture at Boscobel
Fig. 1. Boscobel, built in Montrose, New York, 1804–1808, and moved and reerected in Garrison, New York, 1957–1961. All photographs are by courtesy of Boscobel, Garrison, New York. Fig. 2. Sofa probably by Duncan Phyfe (1770–1854), New York, c. 1815–1820. Mahogany and cherry; height 32 ½, length 85 ¼, depth 24 ½ inches. The brass feet are replacements; the modern …
