Magazine March/April 2025


MARCH/APRIL 2025


Image
On the cover: Fashion designer Anna Sui in her New York apartment. Mythical beasts tiles designed by William De Morgan, reproduced by Kenneth Clark Ceramics, c. 2000s, form the fireplace surround; the wallpaper is Silver Peony by the contemporary firm Gracie, New York. Photograph by Jeannie Sui Wonders.


Click arrows above for more issues


Features



Swing City

At home and in her professional life, the keen eye and advocacy of New York collector and retailer Kathryn Hausman have served to breathe new life into the arts of the Jazz Age, a century on.
Eve Kahn

Udotopia

Maverick, villain, libertine, genius. Austrian eyewear designer Udo Proksch has been known by many names, but the book we excerpt dives deeply into his archive and puts emphasis on his working methods, fecund productivity, and the undeniable impact he had on design in the twentieth century—and to this day.
Luisa Jean Cooper

Trail of Tiles

A fantasia in ceramic, Leighton House in London testifies to the decorative sense of its namesake builder, artist Frederic Leighton, and the craftsmanship of William De Morgan.
Anna Sui with Daniel Robbins

Ready to Wear

Deploying paste, base metals, and imitation stones in the place of costly gems and other precious materials, costume jewelry has more to recommend it than just its price point. One of the most discerning collectors of the style is fashion designer Norma Kamali, who has been snapping up lux and creative examples from around the world since the 1960s.
Sarah Davis

Paper Caper

On the short history and enduring appeal of disposable dresses
Marlen Komar

Smoking Hot

In the early twentieth century changing social conventions and beauty standards—and the new availability and popularity of cigarettes—gave rise to a materially sumptuous smoking culture, as well as a new consumer base for tobacco accoutrements: women.
Maggie Lidz

A New Home for American Classicism

For decades, Kelly and Randall Schrimsher have acquired the best of the best in early nineteenth-century American furniture. Now, much of their collection has a period-appropriate showcase in Charleston, South Carolina.
Matthew A. Thurlow