from The Magazine ANTIQUES, March/April 2013 | Twenty-five years ago in these pages, Beatrice B. Garvan wrote about an anonymous collection of Pennsylvania folk art that was already more than a quarter-century in the making. Garvan was struck by the coherence of the assemblage that was ever in flux, by the sense of motion generated by the collectors’ unyielding search …
Philadelphia collects: The torch bearer
from The Magazine ANTIQUES, March/April 2013 | This issue celebrates the long history of Philadelphia as the city of great artist-artisans. That history would be even more impressive had there been a Helen Drutt on the scene in the eighteenth and nineteenth centuries to make sure that absolutely nothing of value was lost to posterity. What Drutt has done for …
Hudson River Classics: Edgewater and Richard Hampton Jenrette
from The Magazine ANTIQUES, January/February 2012 | People don’t like hocus-pocus,” Richard Hampton Jenrette tells me. A fit eighty-two, the former lion of Wall Street seems a model of sanity in an insane world. Take his views on finance: “Wall Street has been high-jacked by speculators.” Or industry: “We are foolish to have outsourced our manufacturing.” Fig. 1. Edgewater, as …
Living with antiques: No velvet ropes–a collection in New Jersey
from The Magazine ANTIQUES, September/October 2011 | Called the last of the Georgians by the architect Robert A. M. Stern, Mott B. Schmidt dared to be unfashionable, stubbornly designing traditional houses for town and country long after they were in favor.* Schmidt’s houses in the American Georgian manner usually relied on a restrained combination of red brick, dark shutters, and …