Wild at heart: Rediscovering the sculpture of Anna Hyatt Huntington

Editorial Staff Art

Cranes Rising by Hun­tington, 1934. Bronze; height 45, width 16, depth 22 inches. Art Properties, Avery Architectural and Fine Arts Library, Colum­bia University in the City of New York, gift of the artist; photo­graph by Mark Ostrander, courte­sy of the Miriam and Ira D. Wal­lach Art Gallery. The energy of some art only be­comes apparent with the passage of time. Anna …

Ebony and Ivory

Editorial Staff Art

Western in form and Indian in materials and ornamen­tation, this sumptuous ebony and ivory chair testifies to the artistic, cultural, and political complexities of life in southern India in the third quarter of the eighteenth century. Elevated seating was not a typical part of traditional Indian culture. Indians typically ate, socialized, and conducted business on rugs or thin mat­tresses while …

Talking past and present

Editorial Staff Art, Furniture & Decorative Arts

The Peabody Essex Museum in Salem, Massachusetts, may be this country’s oldest continuing museum…or it may not be. Given its other distinctions, that hardly matters. Founded in 1799 by the wealthy entrepreneurs of Salem whose merchant ships sailed to India, Japan, Africa, China, the Pacific Islands, and beyond, it began with the curious idea of presenting the citizens of Salem …

Double take: A closer look at American bronze sculpture

Editorial Staff Art

From The Magazine ANTIQUES November 2006. Bronze sculpture made in the United States between 1845 and 1945 was little studied and largely undervalued until it began to attract interest in the early 1980s. It now continues to gain attention from scholars, museum curators, and collectors. Broadening scholarship has brought recognition to the variety, quality, and importance of this field of American …

Oceans, Rivers, Lakes, and Ponds

Editorial Staff Art, Exhibitions

from The Magazine ANTIQUES, November/December 2013 | Fig. 3. Lake George Autumn by Georgia O’Keeffe (1887-1986), 1922. Oil on canvas, 15 by 27 inches. © 2013 Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York. Museums are a fairly recent development in human history, dating back scarcely more than two hundred years. But the founding of such institutions has accelerated so …

How the West was seen

Editorial Staff Art, Exhibitions

from The Magazine ANTIQUES, November/December 2013 | The Last of the Buffalo by Albert Bierstadt, c. 1888. Signed “AB[conjoined]ierstadt” at lower right. Oil on canvas, 60 ¼ by 96 ½ inches. The challenge of Go West!: Art of the American Frontier is to present us with a century (1830-1930) of familiar and unfamiliar images and to help us see them …

All About Eats: Art and the American Imagination in Chicago

Editorial Staff Art

from The Magazine ANTIQUES, November/December 2013 | Fig. 7. Melons and Morning Glories by Peale, 1813. Inscribed “Raphaelle Peale Painted/Philadelphia Septr. 3d. 1813” at lower right. Oil on canvas, 20 ¾ by 25 ¾ inches. Smithsonian American Art Museum, gift of Paul Mellon. Not so long ago you could learn how to cook an opossum by consulting The Joy of Cooking. …

On the money

Editorial Staff Art

By Laura Beach Yorkshire calendar and almanac Calendar and almanac, probably York or Ripon, Yorkshire, England, c. 1425. Ink, tempera, and gold leaf on parchment, each page 6 by 4 1/8 inches. WHY:  Priced in the six figures by Les Enluminures of Paris, New York, and Chicago, this calendar and almanac of about 1425, with prognostications in Latin, illustrates the English …