At his home outside Stockholm, the art of sculptor Carl Milles is on full and glorious display
No English country-house garden would be complete without the well-placed statue terminating a vista
The world has largely forgotten about sculptor José Fioravanti and the reasons are quite clear.
Main de roman, an exquisite little sculpture could easily have been overlooked at this spring’s edition of TEFAF New York, but it stood out in L’Arcen Seine’s gallery booth as a memorial to Les Lalanne, the sculpting and design duo who created a universe of lyrical and iconoclastic objects in stubborn defiance of art world trends for over half a century.
The most in-depth biography of the pre-eminent American sculptor Daniel Chester French (1850-1931) is now out. French—whose works include the statues of the Minute Man in Concord, Massachusetts, and Alma Mater at Columbia University in New York—has long deserved a comprehensive exploration, and historian Harold Holzer’s Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, $35) has been eagerly anticipated.
An exhibition at the Museum of Modern Art offers an opportunity to appreciate the earthy, elemental spirit in the sculptures of Constantin Brancusi
Augustus Saint-Gaudens at the Currier Museum of Art
William Henry Rinehart was among the considerable group of American artists—both sculptors and painters—who took up residence in Italy, perhaps initially for additional training and exposure to the world of classical antiquity, but ultimately because it was the ideal place to get commissions from both American and European tourists.
This article was originally published in the 1987 October issue of ANTIQUES. Pl. XIII. At the end of the beech allée at Chatsworth in Derbyshire is a colossal marble bust of William George Spencer Cavendish (1790 – 1858), sixth duke of Devonshire, on a marble column from the Temple of Minerva Sunias in Greece. No English country-house garden would be …
From The Magazine ANTIQUES, October 2006 In June 18, 1894, a crowd gathered in the small park on the southeastern tip of the Île Saint-Louis in Paris to listen to Eugène Guillaume (1822-1905) dedicate a monument (Fig. 3) to Antoine Louis Barye, the French sculptor and painter who, during the second and third quarters of the nineteenth century, had popularized …
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