Last winter, one of America’s great private collections slipped quietly from its urban home of nearly two decades in upper Manhattan to the splendor of a historic estate in Philadelphia. Preparing to move the peerless arts and crafts furniture, metalwork, glass, and ceramics, not to mention the sculptures, paintings, and works on paper, consumed the prior autumn months. Art handlers …
Making friends with fraktur: Some thoughts on the exhibition Drawn with Spirit at the Philadelphia Museum of Art
If you are fraktur ignorant, fraktur agnostic, or fraktur allergic, this is an exhibition that should win you over. From its opening moment where a huge curving wall enlarges a small 1834-1835 gem of Adam and Eve attributed to Samuel Gottschall, the visitor is primed for seduction. How cunning of this artist to have depicted Eve being seduced by a …
Current and coming: Rivera and Kahlo in Detroit
To celebrate its rebirth as an independent museum after the city’s brush with bankruptcy, the Detroit Institute of Arts is mounting Diego Rivera and Frida Kahlo in Detroit, focusing on what is arguably the quintessential Detroit work of art, Detroit Industry, Rivera’s monumental twenty-seven-panel mural for the museum’s courtyard. Preparatory drawing for Pharmaceutics, part of the Detroit Industry mural by …
Current and coming: Horace Pippin in Chadds Ford
John Brown Going to His Hanging by Horace Pippin, 1942. Pennsylvania Academy of the Fine Arts, Philadelphia, John Lambert Fund. Although his reputation as an artist of consequence has never faltered, Horace Pippin, who was widely exhibited in the 1940s when he was championed by Albert Barnes among other luminaries, has not had a major exhibition in more than two …
Current and coming: Coney Island in Hartford
The Steeplechase, Coney Island by Milton Avery, 1929. Metropolitan Museum of Art, gift of Sally M. Avery. Image © 2013 Milton Avery Trust/Artists Rights Society (ARS), New York © Metropolitan Museum of Art. There will be four venues in the coming year for the exhibition Coney Island: Visions of an American Dreamland, 1861-2008. Would that there were forty more so …
Inside New York: The City’s landmarked interiors
More than just a display of handsome pictures, Rescued, Restored, Reimagined: New York’s Landmark Interiors, an exhibition at the New York School of Interior Design (to April 24), tells the stories behind a variety of landmark interiors that have been preserved throughout the city. It includes familiar sites such as Radio City Music Hall, but focuses primarily on the more …
Seventeenth-century French enameled watches in the Walters Art Gallery
This article was originally published in the December 1963 issue of ANTIQUES. In his book Old Clocks and Watches and their Makers, F. J. Britten notes that “watches with enamel painting before 1640 are exceedingly rare, and there is a marked difference in the character of such decorative work executed at the beginning, compared with that done during the later …
Habsburg flash and filigree
The splendor of the house of Habsburg was always inversely proportionate to its prowess on the field of battle. Under Maximilian I of Austria and his grandson Charles V of Spain, the dynasty waged continuous battles from Cuzco to Constantinople and from Scandinavia to the shores of Africa. During this time, the external manifestations of its magnificence were fairly restrained, …
Ahead of the curve: The Newark Museum now and then
In a better world we would all be thronging the doors of the Newark Museum; in the best of worlds Ulysses Grant Dietz would be there to meet us, taking us through the galleries with fellow curators Christa Clarke and Katherine Anne Paul. But this is Newark-not a destination for many out-of-town museumgoers (though it should be), so Ulysses Dietz …
Cartier in Denver
In Brilliant: Cartier in the 20th Century the Denver Art Museum has taken a seventy-five-year slice (1900-1975) from the illustrious firm’s 160-plus-year history and illuminated a central paradox of great jewelry: greatness depends upon designs that capture a keen sense of the zeitgeist but do so with enough sheer awesomeness to stand far above it. And so, the exhibition’s vitrines …







