The discovery of William Black

Editorial StaffFurniture & Decorative Arts

from The Magazine ANTIQUES, July/August 2012 | When the late southern decorative arts expert and author John Bivins Jr. published his 1968 book on early North Carolina firearms, he noted that, “among surviving implements…of early America and the South, few art forms have stirred the imagination more than the American longrifle.”1 Created by craftsmen working in rural communities, long rifles …

The Bixby House

Editorial StaffFurniture & Decorative Arts

from The Magazine ANTIQUES, January/February 2012 | Largely unheralded, this Kansas City masterwork of modernism deserves its place in the pantheon of great American houses. Fig. 1. View of the entrance hall from the main stair in a 1937 photograph by R. B. Churchill. Ex­cept as noted, the photographs and renderings illus­trated are in the Kem Weber Archive, Architecture and …

Miniature discoveries

Editorial StaffArt

from The Magazine ANTIQUES, January/February 2012 | The recent appearance of two portrait miniatures leads to new information about back­country South Carolina artist Isaac Brownfield Alexander. Last year Elle Shushan, a leading expert on portrait miniatures, alerted curators at the Museum of Early Southern Decorative Arts (MESDA) about the pending sale of a rare work by a southern artist-a delightful …

Museum accessions, part 2

Editorial StaffFurniture & Decorative Arts

This short list of notable acquisitions began with a request to decorative arts curators in major American museums to choose and discuss a favorite recent gift or purchase. The design of this elegant Gothic revival center table is attributed to the renowned Alexander Jackson Davis. The leading advocate for the “pointed style” in the United States in the mid-nineteenth century, …

American artists as they saw themselves

Editorial StaffArt

November 2009 | In The American School (Fig. 1) Matthew Pratt portrays himself seated at his easel, the sharp profile of his head silhouetted against the canvas, which bears his signature at bottom left. Holding a palette and maulstick to steady his hand, Pratt presents himself as a painter—an astonishing act of bravado as he had just arrived in England …

Chicago and the arts and crafts movement

Editorial StaffArt

October 2009 | “Chicago is the only American city I have seen where something absolutely distinctive in aesthetic handling of material has been evolved out of the industrial system” – C. R. Ashbee During the late nineteenth and early twentieth centuries Chicago stood at the crossroads of the handcrafted and the machine-made, aspects that came to define the American arts …