ALABAMA Montgomery Montgomery Museum of Fine Arts: “Alexander Archipenko: Dreizehn Steinzichnungen”; November 29 to January 18, 2015. “The Grand Tour: Prints from Rome, Florence, Venice, Paris, and London”; to November 23. “Imprinting the West: Manifest Destiny, Real and Imagined”; November 8 to January 4, 2015. ARIZONA Tucson Tucson Museum of Art: “La Vida Fantastica: Selections from the Latin American Folk …
Then and Now: A museum’s museum
One of my earliest memories is from half a century ago and relates to something that I saw, and that astonished me, in the darkened halls of the American Museum of Natural History. I was four and my nanny was taking me-not for the first time, as I clearly recall-to the museum, a few blocks from where I grew up. …
June 2013 exhibition openings
June 6 “Lethal Beauty: Samurai Weapons and Armor”; Honolulu Museum of Art, Hololulu, HI June 8 “Charles M. Schulz: Pop Culture in Peanuts”; Art and Culture Center of Hollywood, Hollywood, FL “Charles Sydney Hopkinson (1869-1962)”; Vose Galleries, Boston, MA “Luminous: 50 Years of Collecting Prints and Drawings at the Blanton”; Blanton Museum, University of Texas, Austin “Maine Sublime: Frederic …
The last dynasty
from The Magazine ANTIQUES, May/June 2013 | At some point during the 1800s, when nobody was looking, an institution passed away that for centuries had been a fixture of the visual arts: the artistic dynasty, the family of painters who, across several generations, maintained a consistent aesthetic profile. One is put in mind of this institution, and of its demise, …
SARAH GOODRIDGE
By AGNES M. DODS; from The Magazine ANTIQUES, May 1947. THE WORK OF SARAH GOODRIDGE, one of the lesser known miniature painters of New England, has been increasing steadily in popularity for some years. Although her claim to fame rests mainly on her miniature of Gilbert Stuart, a diligent search of the countryside has brought to light many excellent likenesses from …
Rediscovering an art star
from The Magazine ANTIQUES, March/April 2013 | In recent decades, few provinces of human creativity have fallen into swifter or more thorough disrepute than the society portrait. So steeply have its fortunes declined that the latest generation might be surprised to learn that this genre once held a position of signal honor among the varied forms of painting. Indeed, a …
Cradle of liberty, cradle of craft
from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …
Monumental confidence: restored Roosevelt murals
from The Magazine ANTIQUES, January/February 2013 | One hundred years ago, even fifty years ago, the act of monumental commemoration was a relatively simple affair. A victory in battle or the founding of an institution was seen, at least as regarded the monument in question, to be completely good. A massacre or natural catastrophe was assumed to be completely bad. Anyone deserving …
Sarah Goodrich: Mapping places in the heart
from The Magazine ANTIQUES, November/December 2012 | In a time of cultural awakening when Boston was hailed as the Athens of America, Sarah Goodrich (Fig. 3) was the city’s pre-eminent portrait miniaturist, creating indelible likenesses for more than a quarter-century between 1815 and 1850. Favored by such notable patrons as Daniel Webster, Thomas Handasyd Perkins, Edward Everett, and William Lindall Winthrop, she …
The opulent vision of Paolo Veronese
from The Magazine ANTIQUES, November/December 2012 | An exhibition of the sixteenth-century master reveals an artist uniquely committed to art, wealth, and aristocracy. A visit to the John and Mable Ringling Museum of Art in Sarasota, Florida, feels nothing like a visit to Venice, Italy. Both cities, it is true, are on, in, or beside a large body of water, but beyond …