A curator guides us through the revamped early American galleries at the Philadelphia Museum of Art
Quaker Hautes – A review of the new catalogue: American Furniture, 1650–1840: Highlights from the Philadelphia Museum of Art
Kenny discusses the arrival of an engaging and beautifully made book by Alexandra Kirtley
Superfluity & Excess: Quaker Philadelphia falls for classical splendor
The fruits of extensive research on Benjamin Henry Latrobe’s 1808 house and furniture for William and Mary Waln begin with their impact on the aesthetic of the city itself
Looking both ways: A Pennsylvania collection keeps present and past in constant touch
“My husband said the house screamed for antique furniture–but I have a hard time with sameness.” This candid recollection by a lively collector provides a partial explanation of how and why she and her late husband joined their appetite for antique furniture and folk art with abstract expressionist art and contemporary sculpture. The rest of the explanation lies in the …
Pennsylvania style
Photography by Gavin Ashworth | It took knowledge—knowledge and taste together,” according to Harry Hartman of Harry B. Hartman Antiques and Interiors who helped to form this exceptional private collection of American furniture and folk art and American and Chinese export paintings. For nearly fifty years, the Hartman name has been synonymous with purveying fine antiques from southeastern Pennsylvania. This …
Benjamin Henry Latrobe and the furniture of John and Hugh Finlay
December 2009 | On the evening of Wednesday, August 24, 1814, British troops brazenly torched much of the small capital city of Washington, including the large Virginia sandstone house built as the residence for the president of the United States between 1792 and 1800 (see Fig. 1).1 Among the losses smoldering in the rubble was an extraordinary set of painted …