ON ART DEALER AND COLLECTOR DEEDEE WIGMORE AND HER AESTHETIC AMBIDEXTERITY You could say that Deedee Wigmore is a time traveler, of sorts. At home, she dwells in the nineteenth century. The apartment she shares with her husband, philanthropist Barrie A. Wigmore, features a museum-worthy collection of American aesthetic movement furniture and ceramics, as well as paintings by artists of …
Dealer profile: The Virginian
Taylor Thistlethwaite believes that antiques and vintage designs give collectors a sense of place, a sense of history, and a sense of belonging
Make Americana great again: The Wunsch family has a plan
Among aficionados of early American decorative arts, the name Wunsch is legendary. The family’s art and antiques collection—started by the canny and ever-curious engineer E. Martin Wunsch (1924–2013), and administered under the aegis of the Wunsch Americana Foundation—is one of the most important in the field.
The Schwarz Gallery
by Gregory Cerio The Private Office of George William Childs at the Philadelphia Public Ledger, Philadelphia by George Bacon Wood Jr. (1832–1910), 1877. Oil on canvas, 27 by 38 inches. Private collection; all photographs courtesy of the Schwarz Gallery, Philadelphia. Specializing in American and European paintings of the eighteenth through twentieth centuries and best known for its expertise in …
Dealer profile: Lawrence Steigrad and Peggy Stone
In 1989 Lawrence Steigrad and his wife and business partner, Peggy Stone, began dealing in Old Master paintings backed by only a thousand dollars and a few credit cards. For the first year, in case things didn’t work out, Stone continued to work as a cataloguer at William Doyle, returning home to help with research and cataloguing late into the …
Dealer Profile: Peter Tillou
Every so often a few wise things get said about the passions of people who are collectors (most famously in Walter Benjamin’s essay “Unpacking My Library”). Rarely is anything of interest written about dealers, and oddly enough, almost nothing can be found on the nature of that intriguing hybrid, the dealer/collector, which brings us to the pre-eminent example of the …
Vose Galleries at 170
By Tom Christopher left to right: Elizabeth Vose Frey, Carey L. Vose, Abbot W. “Bill” Vose, Marcia L. Vose. Vose Galleries of Boston is that rarest of survivors: now completing its 170th year in business and still under the direction of the founding family, the firm itself predates many of the paintings that it buys and sells. Yet it …
Hirschl and Adler
“We’ve done something that hasn’t been done before,” Stuart P. Feld told me, raising an eyebrow ever so slightly above the rim of his glasses, after the opening earlier this year of Hirschl and Adler’s exciting new gallery in the Crown Building, on the southwest corner of Fifth Avenue and Fifty-seventh Street in midtown Manhattan. And indeed, decorative and fine …
Dealer Profile: Erik and Cornelia Thomsen
Erik and Cornelia Thomsen One of a pair of six-panel screens, Japanese, Edo period, seventeenth century. Ink and color on gold-leafed paper, 65 by 133 inches. Photographs are by courtesy of Erik Thomsen Asian Art, New York. Suzuribako (writing box), Japanese, Meiji period, c. 1900. Black lacquer with maki-e decoration on wood; height 1 ½, length 8, width 7 ¼ …
Dealer profile: Titi Halle
The precious textiles and clothing sold at Cora Ginsburg have as much charm, beauty, and depth as any other category of antiques, but like the firm itself, you may have to look for it. Tucked into two cozy rooms on the third floor of a nondescript residential building on Manhattan’s East Seventy-fourth Street, the gallery is as sparely furnished as …
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