Below you'll find a list of all posts that have been tagged as “Editor’s Letter”
We have something to celebrate this summer in the resurgence of the American Folk Art Museum. Pronounced dead after selling its award-winning building on Fifty-ThirdStreet in Manhattan, the museum is nothing of the sort, as you will see in the articles grouped here under the rubric “Folk Art Rising.” At its tidy quarters on Lincoln Square, a smooth street-level …
Starting out in the intoxicating decade of the 1920s, Antiques began by running against the rhythm of its times, celebrating tradition in a decade fueled by the Americanization of the avant garde and the arrival of mass culture in radio, music, and film. The 1920s also witnessed the founding of several other magazines more specifically attuned to the spirit …
Several years ago I visited the Reverend Peter Gomes, Harvard University’s chaplain and professor of Christian morals, to interview him about the way he had furnished Sparks House, the residence Harvard provides for its preacher. I was struck by the exuberance of his rooms, their voluptuous colors—golds, reds, and greens—their antiques—Yankee, French, Scottish, English—the dramatic spiral stairwell lined with wallpaper …
There is a great deal of fretting these days about the future of collecting and the dearth of young collectors. Were there ever many young collectors? Probably not. It takes the perspective of age (as well as the accumulation of capital) to do what the best antiques collectors do: value a folk art painting or a tall-case clock for the …
Here is a point that had somehow eluded me until now: eighteenth-century American furniture—a John Townsend chest-on-chest, a Philadelphia tea table—was already bold, original, and world class while American painting was still struggling for stature and its own voice. This discrepancy dawned on me while reading Carrie Rebora Barratt and Barbara Weinberg’s article in this issue about the stories American …
A few months ago Eleanor Gustafson and I spent a day as guests of Historic New England. We had wanted to see what I like to think of as the bookends of that organization’s historic houses—the 1938 Gropius House in Lincoln, Massachusetts, with its spare, modernist decor and bracing use of industrial materials, and the rambling, mysterious Beauport in Gloucester, …
One of the things I admire about Electra Havemeyer Webb was her instinctive sense that the cultural designations of high-, low-, and middlebrow were silly. I do not mean to suggest that Webb was a prophet of late twentieth-century multiculturalism or that she could have argued for the relative merits of a beautifully carved duck decoy vis à vis a …
We have grouped a promiscuous array of things in this issue under the broad umbrella of “folk art”: schoolgirl drawings, trench art, manufactured advertising signs, as well as objects more conventionally agreed upon as “folky,” such as carved walking sticks and weather vanes. While it is common to worry about the vagueness of the term folk art, I am inclined …
While withholding its authentic treasures for serious seekers, New Mexico, the Land of Enchantment, makes nostalgia bordering on kitsch easily available. Fortunately, when we embarked on our own West by Southwest migration in this issue we had the benefit of some clear-eyed guidance from Laura Beach, who comes from Santa Fe, and Frederick Turner, who has lived there for thirty …
Editor-in-Chief Elizabeth Pochoda welcomes us to our latest issue