Last autumn in this space I wrote about some of the younger folks I have been pleased and heartened to meet in the course of my work—still in their twenties and with a deep, abiding interest in the fine and decorative arts and architecture of the past.
The cover for this issue is fun, charming, and cheerful, and there are very few occasions, in my estimation, on which fun, charm, and cheer are not welcome
The Statue of Liberty Museum opened in May on Liberty Island with much fanfare and celebrity wattage, Oprah Winfrey leading the lights.
There are some art exhibitions that transcend themselves. That is to say, the fact that the show is taking place is of greater significance than the art on view.
As I write this it is early February, yet I still feel a bit of lingering zing from our participation last month in the sixty-fifth annual Winter Show, which was billed as the event’s Sapphire Jubilee edition. The Magazine ANTIQUES has had an association with the show, held at the Park Avenue Armory, almost from the beginning.
We moved offices recently—and you all know what a joy moving can be. We’re now on the far west side of Midtown Manhattan, the neighborhood where two of New York’s great fictional characters resided: Nero Wolfe, the ingenious, orchidfancying, and largely housebound private detective, and his much more dynamic legman and chronicler, Archie Goodwin.
“Do you read German?” The question was asked as my folks and I, a few weeks ago, were poking around a new shop near their home in the Hudson valley called Quittner Antiques. It almost startled me.
Not long ago I came across a graphic novel by the talented artist and illustrator Leanne Shapton entitled Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry. The book tells a love story in the form of an auction catalogue.
Despite our best efforts to be accurate, on the rare occasion something slips through the cracks.
Glenn Adamson joins us this month as editor at large with an interesting mandate you can read about below. Glenn was most recently director of the Museum of Arts and Design. Before that he was head of research at the V&A, and curator of the Chipstone Foundation. The Magazine ANTIQUES: In your column you will think through difficult matters that …