Editor’s Letter: March/April 2019

Gregory Cerio Magazine

As I write this it is early February, yet I still feel a bit of lingering zing from our participation last month in the sixty-fifth annual Winter Show, which was billed as the event’s Sapphire Jubilee edition. The Magazine ANTIQUES has had an association with the show, held at the Park Avenue Armory, almost from the beginning.

Editor’s Letter: January/February 2019

Gregory Cerio Magazine

We moved offices recently—and you all know what a joy moving can be. We’re now on the far west side of Midtown Manhattan, the neighborhood where two of New York’s great fictional characters resided: Nero Wolfe, the ingenious, orchidfancying, and largely housebound private detective, and his much more dynamic legman and chronicler, Archie Goodwin.

Editor’s Letter, January/February 2017

Gregory Cerio Opinion

Not long ago I came across a graphic novel by the talented artist and illustrator Leanne Shapton entitled Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry. The book tells a love story in the form of an auction catalogue.

Editor’s Letter, May/June 2016

Editorial Staff Opinion

Glenn Adamson joins us this month as editor at large with an interesting mandate you can read about below. Glenn was most recently director of the Museum of Arts and Design. Before that he was head of research at the V&A, and curator of the Chipstone Foundation. The Magazine ANTIQUES: In your column you will think through difficult matters that …

Editor’s Letter

Editorial Staff Opinion

The American Revolution has a hit on its hands with Hamilton, the hip-hop musical currently lighting up Broadway. “Who lives, who dies, who tells your story,” the cast sings in its sly retooling of our republic as the story of Alexander Hamilton’s rise through the imperial city of New York (“History is happening in Manhattan and we just happen/to be in …

Editor’s Letter, January/February 2016

Editorial Staff Opinion

We occasionally split the run of an issue of ANTIQUES with one cover for subscribers—an interior from Abbeville, Louisiana, in this case—and another for distribution at shows—Louis Lozowick’s 1930 lithograph of the Brooklyn Bridge. If this sounds like a North/South thing it isn’t exactly, but I’ll explain that in a moment. The New York art and antiques season seems a …