How we see refugees, yesterday and today

Editorial Staff Opinion

In April 1914 the Modernist Studios in New York City held an “Exposition of Bad Taste.” Wallpaper patterns that had been popular in the 1880s served as the backdrop for a crowded display comprising “marble-topped furniture, seaweed, wax flowers, and other treasures under glass; samplers, homemade paintings, ornate chinaware of every description, and countless articles such as were considered extremely genteel in the old days.”