How curators interpret figural ceramics from long ago—or, indeed, walls full of portrait paintings—may seem of modest importance, compared to the seismic shifts in public consciousness that have occurred this year. But it’s of such building blocks that a new, egalitarian edifice will be built. It’s a project we will all need to work on, together.
Curious Objects: An Armchair’s Astonishing Provenance, with Tiffany Momon
This month, Ben speaks with Tiffany Momon, visiting assistant professor at Sewanee in Tennessee, where she assists with the Roberson Project on Slavery, Race, and Reconciliation, and founder of the Black Craftspeople Digital Archive