Below you'll see everything we could locate for your search of “sculpture”
from The Magazine ANTIQUES, November/December 2012 | “Everything is timing,” says Richard Huber, recalling opportunities spotted and seized over a long career that took him and his wife, Roberta, around the world. On a gamble, they invested in vineyards in Chile, an icebreaker in Antarctica, even an emerald mine in Minas Gerais, Brazil. A twenty-five-thousand-acre cattle ranch in the Brazilian outback served …
from The Magazine ANTIQUES, September/October 2012 | Bringing a suspenseful story of danger and heroic rescue to an audience that never seems to tire of courageous knights and fainting maidens, Winslow Homer’s The Life Line (Fig.1) has been popular since the day it was completed in 1884. Homer’s themes of human frailty, bravery, and romance in the context of the overwhelming power …
from The Magazine ANTIQUES, July/August 2012 | Although the American Folk Art Museum received a great deal of press attention upon the closing of its award-winning building on Fifty-Third Street last year, the really big story was to be found in its immediate resurgence. Beginning with the hugely successful red and white quilt show at the Park Avenue Armory and …
Architecture, by Greg Cerio | from The Magazine ANTIQUES, July/August 2012 | Let’s set aside any recap of the Sturm und Drang that accompanied the move of the Barnes Foundation from its home in suburban Lower Merion Township, Pennsylvania, to central Philadelphia, as well as the uproar over the legal legerdemain that erased many of the strictly defined codicils in the …
from The Magazine ANTIQUES, May/June 2012 | How do we account for the strangeness of Andrew Wyeth’s art of the 1940s? How, that is, beyond discerning the surrealist undertones, finding the magic realist affinities, or seeing that Wyeth followed in a Brandywine tradition whose oddity was firmly established by Howard Pyle-lone pirates on desolate shores; magicians and curly-shoed dwarves; Revolutionary …
from The Magazine ANTIQUES, May/June 2012 | Its name, the Huntington Library, Art Collections, and Botanical Gardens, pretty well covers what this singular institution in San Marino, California, is all about. But it hardly begins to tell the story. The creation of Henry E. Huntington, a man with forward-looking business sense and retrospective tastes in art and literature, the Huntington today is …
Originally published in the first issue of ANTIQUES, January 1922. Yes, this is ANTIQUES: Volume one, Number one; venturing into a super-modern world, a world self-consciously intent upon newness; purposefully disdainful of tradition, sublimely certain of its own special ability to invent, devise, design in and for the future, in terms of developing future requirement, without recourse to an obviously, …
Last Chance: Shows Closing this Weekend Connecticut New Britain New Britain Museum of American Art: “Courier & Ives: Impressions of America”; to April 15 Florida West Palm Beach Norton Museum of Art: “Cocktail culture”; to April 15 Georgia Athens Georgia Museum of Art, University of Georgia: “To Make a world: George Ault and 1940s America”; to April …
from The Magazine ANTIQUES, March/April 2012 | Downsizing-a midlife rite of passage common to those whose offspring have grown up and moved out-is not a contingency that his friends would have ever dreamed possible of the abundance-loving Paul F. Walter, the New York connoisseur renowned for the scale and quality of his pathbreaking collections, which have run the gamut …
from The Magazine ANTIQUES, March/April 2012 | Color, rather than composition, subject matter, or form, is the true life force of photography. Color is the fluid essence of the quotidian, of life as it is lived in its ceaseless flux and reflux. That is the conclusion to be drawn from the early twentieth-century autochromes of Heinrich Kühn, who is …