Dealer Profile: Peter Tillou

Editorial Staff Art

Every so often a few wise things get said about the passions of people who are collectors (most famously in Walter Benjamin’s essay “Unpacking My Library”). Rarely is anything of interest written about dealers, and oddly enough, almost nothing can be found on the nature of that intriguing hybrid, the dealer/collector, which brings us to the pre-eminent example of the …

Cradle of liberty, cradle of craft

Editorial Staff Furniture & Decorative Arts

from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …

Loving the Gilded Age and learning how to look

Editorial Staff Furniture & Decorative Arts

from The Magazine ANTIQUES, January/February 2013 | John R. Tschirch is accustomed to being recognized. As Director of Museum Affairs for the Preservation Society of Newport County, he is in and out of the organization’s eleven historic houses so frequently that the volunteers and staff who usher nearly eight hundred thousand visitors through the mansions each year straighten when they see him …

Monumental confidence: restored Roosevelt murals

Editorial Staff Art

from The Magazine ANTIQUES, January/February 2013 | One hundred years ago, even fifty years ago, the act of monumental commemoration was a relatively simple affair. A victory in battle or the founding of an institution was seen, at least as re­garded the monument in question, to be completely good. A massacre or natural catastrophe was assumed to be completely bad. Anyone deserving …

Curiously Carved: Pictorial Sources of Scrimshaw

Editorial Staff Art

from The Magazine ANTIQUES, January/February 2013 | Contrary to persistent stereotypes characterizing seamen in the Age of Sail as a barbaric rabble-unruly, illiterate ruffians devoted to the pursuit of disreputable vices-nineteenth-century Yankee whalemen were characteristically literate and, as a class, avid readers. Whaling voyages were matters of two, three, or even four years’ duration, including months at sea between landfalls; …

George IV and the arts of France

Editorial Staff Exhibitions

By Geoffrey de Bellaigue, Deputy surveyor of the Queen’s Works of Art Originally published by The Magazine ANTIQUES in May 1966. From the day that George IV, as Prince of Wales, first took up residence at Carlton House when he came of age in 1782, to his death in 1830, he collected French works of art on a scale previously …

Current & Coming, January-March

Editorial Staff Exhibitions

For sheer variety of form, color, period, and place of origin it is difficult to match the offerings at the annual New York Ceramics Fair, where thirty-three tightly packed booths represent virtually everything in the world of fired clay-from purely utilitarian objects to those meant solely for aesthetic contemplation. Most of the dealers are from the United States, though there …

Farther Afield, January-March

Editorial Staff Exhibitions

  Before she died in 1983 in her enormous hôtel particulier on the banks of the Seine, Mona Bismarck created a foundation for art and culture in her name, and gave it, in addition to an endowment, her historic mansion on the avenue de New York. It was Bismarck’s means of creating a legacy more enduring than merely that of …

Spirit Feel: A New Orleans Collection

Chris Waddington Art

Photography by Richard Sexton | from The Magazine ANTIQUES, January/February 2013 | Africa feels close in New Orleans. You hear it in the blue notes and polyrhythmic drumming of jazz. You taste it in the okra-laden gumbos and rice dishes of the local cuisine. You see it in a host of tra­ditional arts, from the richly beaded parading costumes of …

Forces for the new: Collectors and the 1913 Armory Show

Editorial Staff Art

from The Magazine ANTIQUES, January/February 2013 | Fig. 14. Self-Portrait by van Gogh, c. 1887. Oil on canvas, 15 ¾ by 13 ⅜ inches. Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, gift of Philip L. Goodwin in memory of his mother, Josephine S. Goodwin. On February 17, 1913, the most important art event ever held in America-the International Exhibition of …