On the Purcell-Cutts House in Minneapolis
Cajun and Creole, the rough and the fine (From our Archives)
Over the past ten years Wade Lege has rescued some of the disappearing landmarks of his native Louisiana
Museum Visit: Parlor Room Talk
In New Orleans, an intact Antebellum decor tells the tales of many lives, free and enslaved
In Houston, Francis Bacon’s last works of art
Nearly 30 years after his death, Bacon’s lessons in nihilism and obsession retain their power to shock
Spirit Feel: A New Orleans Collection (From our Archives)
This is a house frequently visited by curators- more than thirty international institutions have borrowed objects from the Davis collection-but newcomers are excused if they double check the address upon arrival
Radical: Italian Design at MFAH
Utopian ideals took center stage at the Museum of Fine Arts Houston with the February opening of Radical: Italian Design, 1965-1985, The Dennis Freedman Collection
Feverish Architectural Fantasies at the Menil Drawing Institute
Jean-Jacques Lequeu’s frustrated architectural ambitions found their outlet in bold, sometimes sexually-charged drawings
Ceramics dynamic
The only thing more remarkable than John Bullard’s studio pottery collection is how quickly he became a connoisseur of the field.
Local color, global appeal
Three New Orleans museums and two community cultural institutions draw visitors from afar by keeping the focus on indigenous artistry. Detail of the feathers and beadwork on one of the many ornate Mardi Gras Indian suits on display at the Backstreet Cultural Museum in the Tremé neighborhood of New Orleans. Photograph courtesy of Meghan Henshaw and the Backstreet Cultural Museum. Visit …
Cajun and Creole, the rough and the fine
Over the past ten years Wade Lege has rescued some of the disappearing landmarks of his native Louisiana
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