Eleanor H. Gustafson interviews curator and director William L. Coleman on the inaugural exhibition Andrew Wyeth: Home Places.
Museum visit: Chapultepec Castle in Mexico City
The country’s National Museum Of History has traveled a long, strange road from viceregal citadel to cultural institution.
Field notes: Background Check
“Without Hands”: The Art of Sarah Biffin tells about the life and work of an English painter born without arms or legs.
Living with antiques: The Oddities Couple
In Connecticut, Ryan and Regina Cohn have created a live-in Victorian Gothic cabinet of curiosities.
Museum accessions: Loan Star
Newly arrived artworks on long-term loan enliven the American Galleries of the MFA, Houston.
Somewhere West of Laramie
On the Jordan Playboy roadster: A car for the liberated woman of the Jazz Age.
Gotham: Crucible of American Art
How New York City became the center of the US art world.
Facets and settings: Brilliant-cut Boston
All about the jewelry collection of the Museum of Fine Arts and its curator.
“Gracious and artful devices for the adornment of life”
An excerpt from the new book English Needlework, 1600–1740, The Percival D. Griffiths Collection charts the origins of the twentieth-century reappraisal of the embroiderer’s art.
Garden Varieties
A forthcoming exhibition charts the affinities between paintings of the French countryside by the impressionist Claude Monet and the abstract expressionist Joan Mitchell.
- Page 1 of 2
- 1
- 2