An exhibition at the Bard Graduate Center serves up nearly three hundred years of astonishing Sèvres sculptures, traditional to decidedly not.
Reine Check
Marie Antoinette’s canapé à la turque has returned it to its original glory, right down to the hand-embroidered jardin that blooms across its cushions.
Endnotes: ’Tis a Gift to Be 250
From stamps to a four-day conference, America celebrates Shaker history.
End notes: In Memoriam: Gregory Cerio
ANTIQUES remembers a beloved friend and mentor.
Endnotes: Will the Real Miss Liester Please Stand Up?
A mysterious Klimt portrait goes up for auction at im Kinsky.
Endnotes: An Overdue Roll Call
A new partnership uncovers historical documents of Black and Native American Revolutionary soldiers.
Endnotes: Pyramid Schemes
How educator and designer Matthew Bird utilized social media to lecture on Egyptian Revival design.
Endnotes: Making Choices
Brooke Wyatt explains how the exhibition, Material Witness: Folk and Self-Taught Artists at Work, explores a common question in art.
Endnotes: Home is Where the Heart Is
Eleanor H. Gustafson interviews curator and director William L. Coleman on the inaugural exhibition Andrew Wyeth: Home Places.
A new look for the Davis at Wellesley
New England is chockablock with exceptional academic art museums, from the Yale University Art Gallery to those at Colby and Bowdoin Colleges in Maine. A lesser-known gem that has recently taken on new sparkle is the Davis Museum at Wellesley College, designed by Pritzker Prize–winning architect Rafael Moneo in 1993, where a nearly three-year reinstallation of the collection has just been completed.
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