Editor’s letter, July/August 2014

Editorial StaffOpinion

Here is a curious turn of events: British folk art, although obviously many centuries old, is just this summer receiv­ing its first ever museum exhibition. Robert Young, who with his wife Josyane has carried aloft the standard of European folk art in their handsome London gallery for several years now, discusses Tate Britain’s exhibition in this issue with his customary …

Ezra Wood, profile cutter

Editorial StaffArt

By Olive Crittenden Robinson; originally published in August 1942. Among records of the many profile cutters of silhouettists of the late eighteenth and early nineteenth centuries flourishing in Massachusetts, no mention appears of Ezra Wood who plied his art along with his trade in Buckland, Franklin County, Massachusetts. Indeed while eastern Massachusetts seems well represented in ‘black portraiture,” my search …

From the archives: “New Mexican tinwork, 1840-1915”

Editorial StaffArt

By Lane Coulter; from The Magazine ANTIQUES, October 1991 The art of the tinsmith flourished in New Mexico from about 1840 to 1915. During this period Hispanic tinsmiths primarily made devotional objects that reflected the Roman Catholicism of the Spanish Southwest, but they also made a limited number of more secular objects. They used shapes derived from architecture as well as immensely …

Independence Day covers by the numbers

Editorial StaffMagazine

We have published 92 July covers since 1922, and at least twenty-three of them contain allusions to Independence Day. Some figures: 22:  Number of eagles 9:  Flags 7:  Military men 6:  Indenpendence Day-themed covers in the 1960s, the most of any decade. The 1940s had 5. 3:  Drums 1:  Invitation to buy war bonds  

Masterpiece London 2014

Editorial StaffExhibitions

In the five short years since its creation, Masterpiece has established itself as London’s most prominent and antici­pated fair. Its intent is to present the highest caliber art and antiques alongside a wide range of similarly distinguished luxury goods from cars to wine. However, because it was cre­ated by leading dealers from the former Grosvenor House fair, Masterpiece retains decorative …

The PRB at the MMA

Editorial StaffExhibitions

Five Metropolitan Museum of Art curatorial departments comprising European paintings, drawings and prints, photographs, European decorative arts, and the Watson Library along with several private lenders have collaborated to produce a small,well-focused exhibition, The Pre-Raphaelite Legacy: British Art and Design. The Pre-Raphaelite Brotherhood (PRB) was founded in 1848 by seven young artists and writers who rejected contemporary academic painting, and …

Editor’s letter, May/June 2014

Editorial StaffOpinion

Here is the conventional wisdom about our world: contemporary art, in the ascendant for decades now, is on an ahistorical rampage, wielding its industrial strength newness and sowing disdain for beauty, mastery of technique, and anything that smacks of pastness. While this may be true of a segment of the art market and its press, art­ists are quite another matter. …

No Growing Pains at the Frick Collection

Editorial StaffFurniture & Decorative Arts

Recently, an ill-considered op-ed in the New York Times, written by David Masello, took issue with the Frick Collection’s plans for an ambitious expansion. Yes, there is something formulaic, almost knee-jerk in the way in which, these days, every museum seems to feel that it must expand and debase itself to embrace bigger audiences. But there is something equally formulaic, …

Events: Exhibitions, symposiums, and lectures

Editorial StaffCalendar

Fore more, visit our calendar. Left: Eagle by Bernard Langlais, ,ca. 1964, raw and painted wood, 96 x 48 x 3 inches, Colby College Museum of Art, Gift of Mrs. Bernard Langlais. Photo: Pixel Acuity.  On view at Colby College Museum of Art, Waterville, Maine. July 19 to January 4, 2015. ALABAMA Montgomery Montgomery Museum of Fine Arts: “Origins: The First Twenty-Five …

Then and Now: A museum’s museum

Editorial StaffArt

One of my earliest memories is from half a century ago and relates to something that I saw, and that astonished me, in the darkened halls of the American Museum of Natural History. I was four and my nanny was taking me-not for the first time, as I clearly recall-to the museum, a few blocks from where I grew up. …