Late bloomers: The Purple Foliage Workshop

Editorial StaffArt

The second quarter of the eighteenth cen­tury is thought of as the golden age of Chinese export porcelain, and with good reason. This is the period just following the intro­duction of the famille rose enamel, a period of innovation and experimentation when European porcelain manufacture was in its infancy and Eu­rope was crying out for the very best that the …

Talking past and present

Editorial StaffArt, Furniture & Decorative Arts

The Peabody Essex Museum in Salem, Massachusetts, may be this country’s oldest continuing museum…or it may not be. Given its other distinctions, that hardly matters. Founded in 1799 by the wealthy entrepreneurs of Salem whose merchant ships sailed to India, Japan, Africa, China, the Pacific Islands, and beyond, it began with the curious idea of presenting the citizens of Salem …

All About Eats: Art and the American Imagination in Chicago

Editorial StaffArt

from The Magazine ANTIQUES, November/December 2013 | Fig. 7. Melons and Morning Glories by Peale, 1813. Inscribed “Raphaelle Peale Painted/Philadelphia Septr. 3d. 1813” at lower right. Oil on canvas, 20 ¾ by 25 ¾ inches. Smithsonian American Art Museum, gift of Paul Mellon. Not so long ago you could learn how to cook an opossum by consulting The Joy of Cooking. …

Saving the Ark: Chicago’s grand synagogue Agudas Achim

Editorial StaffMagazine

Chicago’s Uptown neighborhood is tucked between the high-end shops of Michigan Avenue and the outskirts of suburban Evanston. In the early twentieth century large numbers of Austro-Hungarian Jewish immigrants settled there, until new roads and growing incomes pulled them away from the city in the years after World War II. They left behind the apartments, stores, and synagogues their parents …

A long time gone: Art, the Kennedy years, and the Hotel Texas

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from The Magazine ANTIQUES, May/June 2013 | On the eve of President and Mrs. John F. Kennedy’s visit to Dallas in 1963 a group of Fort Worth collectors gathered sixteen mas­terworks of European and American art and installed them in the presidential suite in the Hotel Texas. Fifty years later their gesture is bound to strike us as astonishing, improbable, …

Reverie on a pair of Japanese screens

Editorial StaffArt

  By Michael R. Cunningham; from the Magazine ANTIQUES, July 2001 The idea of landscape in the West has historically been aligned with geography. The appearance of a given earthbound place in a painting or photograph normally initiates for the Western viewer an immediate response of physical orientation. We wish to understand the particular environmental conditions and perhaps the terrain …

Cradle of liberty, cradle of craft

Editorial StaffFurniture & Decorative Arts

from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …

Philadelphia collects: The torch bearer

Editorial StaffFurniture & Decorative Arts

from The Magazine ANTIQUES, March/April 2013 | This issue celebrates the long history of Philadelphia as the city of great artist-artisans. That history would be even more impressive had there been a Helen Drutt on the scene in the eighteenth and nineteenth centuries to make sure that absolutely nothing of value was lost to posterity. What Drutt has done for …

Delftware from a St. Louis collection

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BY REKA NEILSON FISHER, Curatorial assistant, Saint Louis Art Museum THE CREAMICS COLLECTION of Mr. and Mrs. George S. Rosborough Jr., of Webster Groves, Missouri, a suburb of St. Louis, is mainly devoted to English earthenware of the seventeenth and eighteenth centuries. Initially they collected early nineteenth-century yellow-glazed earthenware, but then they turned to earlier wares, particularly delftware, which attracted …

Dated English delftware and slipware in the Longridge Collection

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By Leslie B. Grigsby. Originally published in June 1999. The Longridge Collection of ceramics is English pottery Valhalla. Nestled in a New England house with rare English and Continental treen, medieval ivory and metalwork, and early furniture and carvings, this extraordinary collection of ceramics can be divided into two main groups: about 440 pieces of tinglazed earthenware (delftware) and 100 …