Below you'll see everything we could locate for your search of “Olde Hope”
Architecture, by Greg Cerio | from The Magazine ANTIQUES, July/August 2012 | Let’s set aside any recap of the Sturm und Drang that accompanied the move of the Barnes Foundation from its home in suburban Lower Merion Township, Pennsylvania, to central Philadelphia, as well as the uproar over the legal legerdemain that erased many of the strictly defined codicils in the …
By MABEL C. WEAKS; from The Magazine ANTIQUES, May 1931. Southampton, Long Island, is the place where Captain Elias Pelletreau was born, May 31, 1726. There, today, in the old cemetery, may be seen an ancient brown tombstone thus inscribed: “On Memory of Capt. Elias Pelletreau who died Nov. 2, 1810 in the 85, year of his age.” That he …
Nine leaders in the field discuss the changing antiques and fine arts market. Jane Nylander, preservationist The past speaks to Jane Nylander. She has been translating its messages for decades as curator at Old Sturbridge Village, director of Strawbery Banke, and former president of Historic New England. Are we currently losing ground in our commitment to preserve and conserve our …
Originally published in the first issue of ANTIQUES, January 1922. Yes, this is ANTIQUES: Volume one, Number one; venturing into a super-modern world, a world self-consciously intent upon newness; purposefully disdainful of tradition, sublimely certain of its own special ability to invent, devise, design in and for the future, in terms of developing future requirement, without recourse to an obviously, …
from The Magazine ANTIQUES, November/December 2011| Fig. 1. The Shepherd Boy (also known as Landscape with Shepherd) by Robert S. Duncanson (1821-1872), 1852. Signed and dated “R.S. Duncanson/1852” at lower left. Oil on canvas, 32 ½ by 48 ¼ inches. Metropolitan Museum of Art, gift of Hanson K. Corning by exchange. Fig. 3. The Rainbow by Duncanson, 1859. Signed …
from The Magazine ANTIQUES, November/December 2011 | Fig. 1. Auguste Rodin (1840-1917) by Edward Steichen (1879-1973), 1907. Photogravure (from Camera Work: A Photographic Quarterly, April-July 1911); 9 ½ by 6 ½ inches. Iris and B. Gerald Cantor Center for Visual Arts at Stanford University, gift of the William R. Rubin Foundation. By 1900 it was common to liken Auguste …
from The Magazine ANTIQUES, November/December 2011 | Nearly a century and a half after its publication in 1867, Henry Theodore Tuckerman’s Book of the Artists is valued today mainly for its wealth of biographical data. But Tuckerman’s pronouncements summarizing the development of American art culture also deserve closer examination. Of particular interest is his reference to “average taste,” a descriptive …
from The Magazine ANTIQUES, January/February 2011 | Students of American ceramic history have special reverence for the story of domestically made eighteenth-century porcelain. This tale begins with Andrew Duché’s discovery of “Carolina Clay” in the 1730s and his purported experimental production in Charleston, South Carolina, though no physical evidence of his endeavors has ever come to light. Meanwhile, some nineteen …
from The Magazine ANTIQUES, September/October 2010. Houston has been called a wholesale city—a great place to do business and buy big. It feels as though it is lounging flat out, like some huge deflated blimp. The very notion of commercial/residential zoning remained problematic until rather recently, and less than a generation ago smallish escort service motels sat cheek-by-jowl near great …
from The Magazine ANTIQUES, April/May 2010 | Figs. 1, 1a. Desk-and-bookcase made by John Shearer (active c. 1798–at least 1818), Martinsburg, Virginia (now West Virginia), 1801–1806. Inscribed “Down with the Cropper of Ireland” and “Cropper is Repenting and his Master is Angry” in the top drawer of the case. Walnut, cherry, mulberry, yellow pine, and oak; height 8 feet 10 …