Below you'll see everything we could locate for your search of “Olde Hope”
By Laura Beach Yorkshire calendar and almanac Calendar and almanac, probably York or Ripon, Yorkshire, England, c. 1425. Ink, tempera, and gold leaf on parchment, each page 6 by 4 1/8 inches. WHY: Priced in the six figures by Les Enluminures of Paris, New York, and Chicago, this calendar and almanac of about 1425, with prognostications in Latin, illustrates the English …
from The Magazine ANTIQUES, September/October 2013. The hope of the artist is to resist interpretation. Emerson said that “to be great is to be misunderstood” and, pressed to explain his troubles, Hamlet cried to his interlocutors, “You would pluck out the heart of my mystery.” Among contemporary artists, Jasper Johns has made a creed of reticence, and Edward Hopper was …
from The Magazine ANTIQUES, May/June 2013 | On the eve of President and Mrs. John F. Kennedy’s visit to Dallas in 1963 a group of Fort Worth collectors gathered sixteen masterworks of European and American art and installed them in the presidential suite in the Hotel Texas. Fifty years later their gesture is bound to strike us as astonishing, improbable, …
from The Magazine ANTIQUES, May/June 2013 | Sharon Corwin remembers her first introduction to Maine in 2003. It was April. And dark. “Moose Crossing” signs punctuated the indistinct landscape as she headed north on I-95. In the light of day, Corwin, a Berkeley-trained art historian who came to the Colby College Museum of Art in Waterville as its first Lunder …
By Michael R. Cunningham; from the Magazine ANTIQUES, July 2001 The idea of landscape in the West has historically been aligned with geography. The appearance of a given earthbound place in a painting or photograph normally initiates for the Western viewer an immediate response of physical orientation. We wish to understand the particular environmental conditions and perhaps the terrain …
By AGNES M. DODS; from The Magazine ANTIQUES, May 1947. THE WORK OF SARAH GOODRIDGE, one of the lesser known miniature painters of New England, has been increasing steadily in popularity for some years. Although her claim to fame rests mainly on her miniature of Gilbert Stuart, a diligent search of the countryside has brought to light many excellent likenesses from …
from The Magazine ANTIQUES, March/April 2013 | In recent decades, few provinces of human creativity have fallen into swifter or more thorough disrepute than the society portrait. So steeply have its fortunes declined that the latest generation might be surprised to learn that this genre once held a position of signal honor among the varied forms of painting. Indeed, a …
from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …
from The Magazine ANTIQUES, January/February 2013 | John R. Tschirch is accustomed to being recognized. As Director of Museum Affairs for the Preservation Society of Newport County, he is in and out of the organization’s eleven historic houses so frequently that the volunteers and staff who usher nearly eight hundred thousand visitors through the mansions each year straighten when they see him …
By Leslie B. Grigsby. Originally published in June 1999. The Longridge Collection of ceramics is English pottery Valhalla. Nestled in a New England house with rare English and Continental treen, medieval ivory and metalwork, and early furniture and carvings, this extraordinary collection of ceramics can be divided into two main groups: about 440 pieces of tinglazed earthenware (delftware) and 100 …