Below you'll see everything we could locate for your search of “Olde Hope”
from The Magazine ANTIQUES, May/June 2013 | Sharon Corwin remembers her first introduction to Maine in 2003. It was April. And dark. “Moose Crossing” signs punctuated the indistinct landscape as she headed north on I-95. In the light of day, Corwin, a Berkeley-trained art historian who came to the Colby College Museum of Art in Waterville as its first Lunder …
By Michael R. Cunningham; from the Magazine ANTIQUES, July 2001 The idea of landscape in the West has historically been aligned with geography. The appearance of a given earthbound place in a painting or photograph normally initiates for the Western viewer an immediate response of physical orientation. We wish to understand the particular environmental conditions and perhaps the terrain …
By AGNES M. DODS; from The Magazine ANTIQUES, May 1947. THE WORK OF SARAH GOODRIDGE, one of the lesser known miniature painters of New England, has been increasing steadily in popularity for some years. Although her claim to fame rests mainly on her miniature of Gilbert Stuart, a diligent search of the countryside has brought to light many excellent likenesses from …
from The Magazine ANTIQUES, March/April 2013 | In recent decades, few provinces of human creativity have fallen into swifter or more thorough disrepute than the society portrait. So steeply have its fortunes declined that the latest generation might be surprised to learn that this genre once held a position of signal honor among the varied forms of painting. Indeed, a …
from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …
from The Magazine ANTIQUES, January/February 2013 | John R. Tschirch is accustomed to being recognized. As Director of Museum Affairs for the Preservation Society of Newport County, he is in and out of the organization’s eleven historic houses so frequently that the volunteers and staff who usher nearly eight hundred thousand visitors through the mansions each year straighten when they see him …
By Leslie B. Grigsby. Originally published in June 1999. The Longridge Collection of ceramics is English pottery Valhalla. Nestled in a New England house with rare English and Continental treen, medieval ivory and metalwork, and early furniture and carvings, this extraordinary collection of ceramics can be divided into two main groups: about 440 pieces of tinglazed earthenware (delftware) and 100 …
from The Magazine ANTIQUES, November/December 2012 | In a time of cultural awakening when Boston was hailed as the Athens of America, Sarah Goodrich (Fig. 3) was the city’s pre-eminent portrait miniaturist, creating indelible likenesses for more than a quarter-century between 1815 and 1850. Favored by such notable patrons as Daniel Webster, Thomas Handasyd Perkins, Edward Everett, and William Lindall Winthrop, she …
from The Magazine ANTIQUES, November/December 2012 | The role of the Civil War in redefining America is well known. What is less well understood is the profound way in which the conflict changed American Art. Between 1859, when war was imminent, and the war’s end in 1865 writers and artists created their works surrounded by, and sometimes suffocated by, the impact of …
from The Magazine ANTIQUES, July/August 2012 | It is one of the platitudes of recent culture, certainly since the 1960s, that the function of art is to challenge and provoke the public and the powers that be. For the record, art does not need to be challenging: it needs to be good, although it occasionally attains both goals and more …