A forthcoming exhibition and its catalogue examine the social
significance of glass in eighteenth-century Britain.
Clare Leighton’s
from The Magazine ANTIQUES, January/February 2011 | In 1948 Josiah Wedgwood and Sons commissioned printmaker and author Clare Leighton to make wood engravings for a set of twelve plates depicting New England industries. Leighton was in many ways a perfect choice with strong appeal to audiences in both England and the United States. She had established her reputation in Britain …
Wedgwood in the nineteenth century
Celebrating the 250th anniversary of the Wedgwood ceramics manufactory