How the art of El Greco bent every technical rule of Old Masters painting
Hail the Met at 150
A cultural institution of transcendent richness and breadth, the Metropolitan Museum of Art in New York enters its sesquicentennial year
An old master, newly arrived: Valentin de Boulogne at the Metropolitan Museum of Art
A rather depressing article appeared recently in the New York Times concerning a steep and sudden decline in the market for old master paintings. “At a time when contemporary art is all the rage among collectors, viewers, and donors,” Robin Pogrebin wrote, “many experts are questioning whether old master artwork—once the most coveted—can stay relevant at auction houses, galleries, and museums.” There can be a no more thunderous rebuttal to the notion that old masters are irrelevant than the new exhibition of Valentin de Boulogne at the Metropolitan Museum of Art.
New Light on the Old Masters
from The Magazine ANTIQUES, September/October 2013. In its ceremony and its symbolism, the staircase that leads up to the Metropolitan Museum’s galleries of Old Master paintings is one of the grandest theatrical experiences that New York has to offer. There are elevators, of course, and an escalator has been discreetly tucked away on the left. But to use them is …
Old Masters Rule in Maastricht
Changing tides at the 22nd annual TEFAF