Below you'll find a list of all posts that have been tagged as “Philadelphia”
The story goes that the Dutch, sailing up the Delaware River, missed the marshy entrance to its largest tributary. Upon discovering their mistake, the Europeans dubbed the waterway the Schuyl Kill, or “Hidden River.” The Dutch were soon squeezed out of Pennsylvania by the Swedes and then the English, but the name somehow stuck, showing up as the “Scool Kill …
At the moment, Philadelphia’s Fabric Workshop and Museum has a national reputation though it is less well known around town. In one respect it is a little like its founder, the late Marion “Kippy” Boulton Stroud, who was both bold (and bossy) but surprisingly self-effacing. Unlike the Rosenbach or the Barnes, to name two of the city’s other idiosyncratic museums, …
Despite its dainty name the Mount Vernon Ladies’ Association is not an outfit to be trifled with. Nor is it one to do anything by half measures. Founded in 1858, it is comprised of twenty-seven members, each representing a state in the union at that time, who approached and still approach the project of preserving George Washington’s estate with an almost …
When citing the formative influences on the American artist William Glackens, we tend to round up the usual suspects: Diego Velázquez, Frans Hals, Édouard Manet, and Pierre-Auguste Renoir. It is true that all of these painters, as well as Edgar Degas, Théophile Steinlen, Claude Monet, and Henri Matisse, evoked Glackens’s admiration, and he firmly believed that Americans who wished to …
Photography by Alan Kolc | from The Magazine ANTIQUES, September/October 2013. The brick house, handsomely trimmed in brownstone, dates from 1866, one of six identical buildings in the heart of Philadelphia’s historic district. Situated a few streets away from Independence Hall, it was once the home of Brevet General Henry Harrison Bingham (1841-1912), a Congressional Medal of Honor laureate for …
By ROBERT C. SMITH; from The Magazine ANTIQUES, September 1964. French architects, painters, and craftsmen in the decorative arts played an important role in the development of the classical style in America during the second and third decodes of the nineteenth century. This is particularly true of a group of cabinetmakers who settled in New York and Philadelphia and included, among others, …
from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …
from The Magazine ANTIQUES, March/April 2013 | Twenty-five years ago in these pages, Beatrice B. Garvan wrote about an anonymous collection of Pennsylvania folk art that was already more than a quarter-century in the making. Garvan was struck by the coherence of the assemblage that was ever in flux, by the sense of motion generated by the collectors’ unyielding search …
from The Magazine ANTIQUES, March/April 2013 | This issue celebrates the long history of Philadelphia as the city of great artist-artisans. That history would be even more impressive had there been a Helen Drutt on the scene in the eighteenth and nineteenth centuries to make sure that absolutely nothing of value was lost to posterity. What Drutt has done for …
from The Magazine ANTIQUES, November/December 2012 | “Everything is timing,” says Richard Huber, recalling opportunities spotted and seized over a long career that took him and his wife, Roberta, around the world. On a gamble, they invested in vineyards in Chile, an icebreaker in Antarctica, even an emerald mine in Minas Gerais, Brazil. A twenty-five-thousand-acre cattle ranch in the Brazilian outback served …