From the bullfighting ring to the atelier, Portuguese photographic pioneer Carlos Relvas constructed an early studio every bit as eccentric as his life. ⬬
Guest Editor Letter – Pieter Estersohn
A letter from our September/October 2025 issue’s guest editor, Pieter Estersohn ⬬
From Me to Thee
Edward Gorey’s genre-defying illustrations meet an unexpected medium. ⬬
When Edith Met Electra
A New York gallery maven and a forward-thinking collector, both women, drew the boundaries of the new field of American folk art collecting. ⬬
Do Surrealists Dream of Enameled Eyes?
A dazzling exhibition of jewels designed by surrealist artists of the early twentieth century to take us back to a more whimsical time. ⬬
Exhibitions – Feel The Magic
Tanya Minhas’s childhood memories are saturated in color. ⬬
The Object Ideal
If you’ve ever wondered what the perfect version of an everyday object looks like, you can see it in person at Robert Young Antiques in London this October. ⬬
Windows to the Soul
A collection of Federal American vernacular portraits demonstrates the intimate allure of the genre. ⬬
Outsiders Living in My House
When he purchased his contemporary Memphis home, collector John Jerit wasn’t sure it would suit his outsider art collection, but over the years it has proved to be the perfect pairing. ⬬
Exhibitions: Green Mountain Magic
Magic realism was a distinctly American twentieth century genre in the sense that it constituted a unique merger of European surrealism of the 1920s and ’30s, with the long tradition of realist painting in the United States. ⬬