Winterthur Chic

Editorial Staff Art

Although not typically associated with the trend-setting designs of the 20th century, today the Winterthur Museum in Deleware hosts its third annual design conference Chic It Up—which features a stellar roster of historians and curators, all giving talks on interior design from the 1940s. Among the speakers are: Donald Albrecht, curator at the Museum of the City of New York, …

Finding beauty, creating harmony: The art of William F. Jackson

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November 2009 | William Franklin Jackson was an artist who spent most of his career in an out-of-the-way city that was more concerned with politics and economic development than art. Sacramento, California, was little more than a frontier outpost when he arrived in 1863, although it was already the capital city of a state with almost unlimited potential for growth. …

Great Estates: Fonthill in Doylestown, Pennsylvania

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Located on sixty acres in Doylestown, Pennsylvania, Fonthill, the home of Henry Chapman Mercer (1856-1930), one of the leaders of the American arts and crafts movement, stands as a testament to handcrafted goods, replete with relics dutifully gathered by Mercer in the wake of the industrial revolution.Mercer, a Bucks County native, graduated from Harvard in 1879.  After receiving a law …

James E. Freeman and the painting of sentiment

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November 2009 | Thoughout his half-century-long artistic career in the United States and Italy, James E. Freeman (Fig. 2) specialized in creating paintings of sentiment that sought to cross the boundaries dividing different cultures and social classes by engaging emotions, encouraging empathy, and ultimately prompting benefi­cence.1 Sentimentalism flourished in the antebellum period as a sort of bridge between the overt …

Charles Melville Dewey: A forgotten master of classic tonalism

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November 2009 | Of all the great disappearing acts in American art history, the tonalist artist Charles Melville Dewey’s is one of the most complete and inexplicable. Few artists of the period received more glowing notices from critics or were more widely admired in elite art circles, only to have left so little in the way of a footprint. Like …

American artists as they saw themselves

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November 2009 | In The American School (Fig. 1) Matthew Pratt portrays himself seated at his easel, the sharp profile of his head silhouetted against the canvas, which bears his signature at bottom left. Holding a palette and maulstick to steady his hand, Pratt presents himself as a painter—an astonishing act of bravado as he had just arrived in England …

In conversation with….Clifford Wallach, tramp art expert

Editorial Staff Art, Books

Clifford Wallach is a widely recognized expert in the field of tramp art—a branch of folk art in which objects are constructed from chip carved wood. As an antiques dealer, scholar, and author of two books on the subject, Tramp Art: One Notch at a Time (1998) and most recently Tramp Art: Another Notch, Folk Art From the Heart (2009), …

This Week’s Top Lots: November 2 – 6

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* Sotheby’s New York/November 2, Russian ArtThe sale total was just under $13.8 million, with 98 of 122 lots sold. The top lot was Boris Dmitrievich Grigoriev’s Mother and Child that sold for $1.3 million (estimate $500,000-700,000). Other top lots were an award portrait miniature of Peter the Great that sold for $1.3 million (estimate $80,000-120,000), and Konstantin Alexeevich Korovin’s …

Behind the Screen: Amelia with Paul Austerberry

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Hilary Swank’s portrayal of pioneering aviatrix Amelia Earhart in the new film Amelia has been turning heads—but the real star of Mira Nair’s biopic might just be the gorgeous vintage planes. As the film’s visual consultant, Toronto-based Paul Austerberry spent months researching classic aircraft.  He talked to The Magazine ANTIQUES about that process, and explained why flying a late-1930s eight-seater …

Dealer Profile: David Lavender

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One of the surprises of the huge Yves Saint Laurent and Pierre Bergé sale this past February was the splendid selection of objets de vertu the two men had gathered for their twentieth-century Kunstkammer. The way in which this assemblage contravened recent trends in collecting was on my mind as I waited to see the London dealer David Lavender, whose …